Musicology and German National Identity

This article explores the concept of German national identity as it has been used by musicologists and offers an alternative, fuller understanding of that concept by placing it in its late eighteenth-century context. This is done by discussing the protean nature of identity and the importance of the...

Full description

Bibliographic Details
Main Author: Emily Jane Clink
Format: Article
Language:deu
Published: University of Minnesota Libraries Publishing 2019-10-01
Series:Central Europe
Subjects:
Online Access:https://pubs.lib.umn.edu/index.php/cey/article/view/2071
_version_ 1818507770949795840
author Emily Jane Clink
author_facet Emily Jane Clink
author_sort Emily Jane Clink
collection DOAJ
description This article explores the concept of German national identity as it has been used by musicologists and offers an alternative, fuller understanding of that concept by placing it in its late eighteenth-century context. This is done by discussing the protean nature of identity and the importance of the German conception of it in the eighteenth century, explicating the literature in musicology on the development of this identity in music, and pulling from other academic work specifically on the neglected period. The goal of this work is to showcase the multifaceted understandings of identity and how this approach is to the benefit of musicology.
first_indexed 2024-12-10T22:22:35Z
format Article
id doaj.art-cb610e5edec3430397381b5f76317e84
institution Directory Open Access Journal
issn 2689-5978
language deu
last_indexed 2024-12-10T22:22:35Z
publishDate 2019-10-01
publisher University of Minnesota Libraries Publishing
record_format Article
series Central Europe
spelling doaj.art-cb610e5edec3430397381b5f76317e842022-12-22T01:31:16ZdeuUniversity of Minnesota Libraries PublishingCentral Europe2689-59782019-10-01141551796Musicology and German National IdentityEmily Jane Clink0University of AlbertaThis article explores the concept of German national identity as it has been used by musicologists and offers an alternative, fuller understanding of that concept by placing it in its late eighteenth-century context. This is done by discussing the protean nature of identity and the importance of the German conception of it in the eighteenth century, explicating the literature in musicology on the development of this identity in music, and pulling from other academic work specifically on the neglected period. The goal of this work is to showcase the multifaceted understandings of identity and how this approach is to the benefit of musicology.https://pubs.lib.umn.edu/index.php/cey/article/view/2071germanidentitynationmusicologylate eighteenth centuryhistoriographysingspiel
spellingShingle Emily Jane Clink
Musicology and German National Identity
Central Europe
german
identity
nation
musicology
late eighteenth century
historiography
singspiel
title Musicology and German National Identity
title_full Musicology and German National Identity
title_fullStr Musicology and German National Identity
title_full_unstemmed Musicology and German National Identity
title_short Musicology and German National Identity
title_sort musicology and german national identity
topic german
identity
nation
musicology
late eighteenth century
historiography
singspiel
url https://pubs.lib.umn.edu/index.php/cey/article/view/2071
work_keys_str_mv AT emilyjaneclink musicologyandgermannationalidentity