Musicology and German National Identity
This article explores the concept of German national identity as it has been used by musicologists and offers an alternative, fuller understanding of that concept by placing it in its late eighteenth-century context. This is done by discussing the protean nature of identity and the importance of the...
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Format: | Article |
Language: | deu |
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University of Minnesota Libraries Publishing
2019-10-01
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Series: | Central Europe |
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Online Access: | https://pubs.lib.umn.edu/index.php/cey/article/view/2071 |
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author | Emily Jane Clink |
author_facet | Emily Jane Clink |
author_sort | Emily Jane Clink |
collection | DOAJ |
description | This article explores the concept of German national identity as it has been used by musicologists and offers an alternative, fuller understanding of that concept by placing it in its late eighteenth-century context. This is done by discussing the protean nature of identity and the importance of the German conception of it in the eighteenth century, explicating the literature in musicology on the development of this identity in music, and pulling from other academic work specifically on the neglected period. The goal of this work is to showcase the multifaceted understandings of identity and how this approach is to the benefit of musicology. |
first_indexed | 2024-12-10T22:22:35Z |
format | Article |
id | doaj.art-cb610e5edec3430397381b5f76317e84 |
institution | Directory Open Access Journal |
issn | 2689-5978 |
language | deu |
last_indexed | 2024-12-10T22:22:35Z |
publishDate | 2019-10-01 |
publisher | University of Minnesota Libraries Publishing |
record_format | Article |
series | Central Europe |
spelling | doaj.art-cb610e5edec3430397381b5f76317e842022-12-22T01:31:16ZdeuUniversity of Minnesota Libraries PublishingCentral Europe2689-59782019-10-01141551796Musicology and German National IdentityEmily Jane Clink0University of AlbertaThis article explores the concept of German national identity as it has been used by musicologists and offers an alternative, fuller understanding of that concept by placing it in its late eighteenth-century context. This is done by discussing the protean nature of identity and the importance of the German conception of it in the eighteenth century, explicating the literature in musicology on the development of this identity in music, and pulling from other academic work specifically on the neglected period. The goal of this work is to showcase the multifaceted understandings of identity and how this approach is to the benefit of musicology.https://pubs.lib.umn.edu/index.php/cey/article/view/2071germanidentitynationmusicologylate eighteenth centuryhistoriographysingspiel |
spellingShingle | Emily Jane Clink Musicology and German National Identity Central Europe german identity nation musicology late eighteenth century historiography singspiel |
title | Musicology and German National Identity |
title_full | Musicology and German National Identity |
title_fullStr | Musicology and German National Identity |
title_full_unstemmed | Musicology and German National Identity |
title_short | Musicology and German National Identity |
title_sort | musicology and german national identity |
topic | german identity nation musicology late eighteenth century historiography singspiel |
url | https://pubs.lib.umn.edu/index.php/cey/article/view/2071 |
work_keys_str_mv | AT emilyjaneclink musicologyandgermannationalidentity |