Essenzielles Wissen und grundlegende Kompetenzen. Das "Largo concertato" aus Giuseppe Verdis "Macbeth"

Taking a particularly representative page from Verdi’s Macbeth (1847) as an example, this article argues that what is important in school teaching is to select pertinent didactic items - namely those that can convey ‘essential knowledge’ about the subject being taught, and are also relevant from a c...

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Main Author: Giuseppina La Face
Format: Article
Language:deu
Published: University of Bologna 2018-12-01
Series:Musica Docta
Subjects:
Online Access:https://musicadocta.unibo.it/article/view/8836
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author Giuseppina La Face
author_facet Giuseppina La Face
author_sort Giuseppina La Face
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description Taking a particularly representative page from Verdi’s Macbeth (1847) as an example, this article argues that what is important in school teaching is to select pertinent didactic items - namely those that can convey ‘essential knowledge’ about the subject being taught, and are also relevant from a cultural and educational perspective. The example used here is the so-called ‘Largo concertato’, a musical and theatrical structure which, in 19th-century Italian opera, usually coincides with a dramatic, emotionally charged climax resulting from a plot twist. The concertato from the first finale of Macbeth is described first of all in relation to the overall meaning of the play, including the necessary references to Shakespeare’s tragedy of the same name. The analysis subsequently focuses on the morphological level, and is carried out on the basis of both the libretto and the score. Finally, the piece is placed in its historical context with the help of a comparative test: the term for comparison is the no less famous Largo concertato from Donizetti’s Lucia di Lammermoor (1835).
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spelling doaj.art-cbd99c7bdd30451bbbf593e1f1ec7cc92022-12-22T03:45:26ZdeuUniversity of BolognaMusica Docta2039-97152018-12-018112510.6092/issn.2039-9715/88367696Essenzielles Wissen und grundlegende Kompetenzen. Das "Largo concertato" aus Giuseppe Verdis "Macbeth"Giuseppina La FaceTaking a particularly representative page from Verdi’s Macbeth (1847) as an example, this article argues that what is important in school teaching is to select pertinent didactic items - namely those that can convey ‘essential knowledge’ about the subject being taught, and are also relevant from a cultural and educational perspective. The example used here is the so-called ‘Largo concertato’, a musical and theatrical structure which, in 19th-century Italian opera, usually coincides with a dramatic, emotionally charged climax resulting from a plot twist. The concertato from the first finale of Macbeth is described first of all in relation to the overall meaning of the play, including the necessary references to Shakespeare’s tragedy of the same name. The analysis subsequently focuses on the morphological level, and is carried out on the basis of both the libretto and the score. Finally, the piece is placed in its historical context with the help of a comparative test: the term for comparison is the no less famous Largo concertato from Donizetti’s Lucia di Lammermoor (1835).https://musicadocta.unibo.it/article/view/8836largo concertatoshakespearedidattica dell’ascolto
spellingShingle Giuseppina La Face
Essenzielles Wissen und grundlegende Kompetenzen. Das "Largo concertato" aus Giuseppe Verdis "Macbeth"
Musica Docta
largo concertato
shakespeare
didattica dell’ascolto
title Essenzielles Wissen und grundlegende Kompetenzen. Das "Largo concertato" aus Giuseppe Verdis "Macbeth"
title_full Essenzielles Wissen und grundlegende Kompetenzen. Das "Largo concertato" aus Giuseppe Verdis "Macbeth"
title_fullStr Essenzielles Wissen und grundlegende Kompetenzen. Das "Largo concertato" aus Giuseppe Verdis "Macbeth"
title_full_unstemmed Essenzielles Wissen und grundlegende Kompetenzen. Das "Largo concertato" aus Giuseppe Verdis "Macbeth"
title_short Essenzielles Wissen und grundlegende Kompetenzen. Das "Largo concertato" aus Giuseppe Verdis "Macbeth"
title_sort essenzielles wissen und grundlegende kompetenzen das largo concertato aus giuseppe verdis macbeth
topic largo concertato
shakespeare
didattica dell’ascolto
url https://musicadocta.unibo.it/article/view/8836
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