De la métonymie à la suggestion. Réflexion sur le passage de l’art archaïque à l’art classique en Grèce ancienne
In History of Ancient Art, a History of the Implicit is to be attempted. Two types can be distinguished: metonymy (synedoc) and suggestion. Images where only a part of a myth is figured, leave in the implicit what the artist choose not to represent. The other type, no...
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| Format: | Article |
| Language: | fra |
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Presses universitaires du Midi
2022-12-01
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| Series: | Pallas |
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| Online Access: | https://journals.openedition.org/pallas/25714 |
| Summary: | In History of Ancient Art, a History of the Implicit is to be attempted. Two types can be distinguished: metonymy (synedoc) and suggestion. Images where only a part of a myth is figured, leave in the implicit what the artist choose not to represent. The other type, not to be confused with the first one, is suggestion. This process, inspired from the natural vision, consists in implying what happens before and what is going to happen after the represented event. Then, around the event that the artist can represent as a snapshot of a photograph, a kind of temporal cloud is produced. The change from one type to the other is here interpreted as a key for understanding the transition from archaic to classical art. |
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| ISSN: | 0031-0387 2272-7639 |