De la métonymie à la suggestion. Réflexion sur le passage de l’art archaïque à l’art classique en Grèce ancienne
In History of Ancient Art, a History of the Implicit is to be attempted. Two types can be distinguished: metonymy (synedoc) and suggestion. Images where only a part of a myth is figured, leave in the implicit what the artist choose not to represent. The other type, no...
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Format: | Article |
Language: | fra |
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Presses universitaires du Midi
2022-12-01
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Series: | Pallas |
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Online Access: | https://journals.openedition.org/pallas/25714 |
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author | Jean-Marc Luce |
author_facet | Jean-Marc Luce |
author_sort | Jean-Marc Luce |
collection | DOAJ |
description | In History of Ancient Art, a History of the Implicit is to be attempted. Two types can be distinguished: metonymy (synedoc) and suggestion. Images where only a part of a myth is figured, leave in the implicit what the artist choose not to represent. The other type, not to be confused with the first one, is suggestion. This process, inspired from the natural vision, consists in implying what happens before and what is going to happen after the represented event. Then, around the event that the artist can represent as a snapshot of a photograph, a kind of temporal cloud is produced. The change from one type to the other is here interpreted as a key for understanding the transition from archaic to classical art. |
first_indexed | 2024-03-08T03:01:13Z |
format | Article |
id | doaj.art-cc02b88002954b3886c9b28fdb42f1a8 |
institution | Directory Open Access Journal |
issn | 0031-0387 2272-7639 |
language | fra |
last_indexed | 2024-03-08T03:01:13Z |
publishDate | 2022-12-01 |
publisher | Presses universitaires du Midi |
record_format | Article |
series | Pallas |
spelling | doaj.art-cc02b88002954b3886c9b28fdb42f1a82024-02-13T10:54:52ZfraPresses universitaires du MidiPallas0031-03872272-76392022-12-0112010511910.4000/pallas.25714De la métonymie à la suggestion. Réflexion sur le passage de l’art archaïque à l’art classique en Grèce ancienneJean-Marc LuceIn History of Ancient Art, a History of the Implicit is to be attempted. Two types can be distinguished: metonymy (synedoc) and suggestion. Images where only a part of a myth is figured, leave in the implicit what the artist choose not to represent. The other type, not to be confused with the first one, is suggestion. This process, inspired from the natural vision, consists in implying what happens before and what is going to happen after the represented event. Then, around the event that the artist can represent as a snapshot of a photograph, a kind of temporal cloud is produced. The change from one type to the other is here interpreted as a key for understanding the transition from archaic to classical art.https://journals.openedition.org/pallas/25714paintingsculpturepotterymetonymysuggestionsynedoc |
spellingShingle | Jean-Marc Luce De la métonymie à la suggestion. Réflexion sur le passage de l’art archaïque à l’art classique en Grèce ancienne Pallas painting sculpture pottery metonymy suggestion synedoc |
title | De la métonymie à la suggestion. Réflexion sur le passage de l’art archaïque à l’art classique en Grèce ancienne |
title_full | De la métonymie à la suggestion. Réflexion sur le passage de l’art archaïque à l’art classique en Grèce ancienne |
title_fullStr | De la métonymie à la suggestion. Réflexion sur le passage de l’art archaïque à l’art classique en Grèce ancienne |
title_full_unstemmed | De la métonymie à la suggestion. Réflexion sur le passage de l’art archaïque à l’art classique en Grèce ancienne |
title_short | De la métonymie à la suggestion. Réflexion sur le passage de l’art archaïque à l’art classique en Grèce ancienne |
title_sort | de la metonymie a la suggestion reflexion sur le passage de l art archaique a l art classique en grece ancienne |
topic | painting sculpture pottery metonymy suggestion synedoc |
url | https://journals.openedition.org/pallas/25714 |
work_keys_str_mv | AT jeanmarcluce delametonymiealasuggestionreflexionsurlepassagedelartarchaiquealartclassiqueengreceancienne |