De la métonymie à la suggestion. Réflexion sur le passage de l’art archaïque à l’art classique en Grèce ancienne

In History of Ancient Art, a History of the Implicit is to be attempted. Two types can be distinguished: metonymy (synedoc) and suggestion. Images where only a part of a myth is figured, leave in the implicit what the artist choose not to represent. The other type, no...

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Main Author: Jean-Marc Luce
Format: Article
Language:fra
Published: Presses universitaires du Midi 2022-12-01
Series:Pallas
Subjects:
Online Access:https://journals.openedition.org/pallas/25714
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author Jean-Marc Luce
author_facet Jean-Marc Luce
author_sort Jean-Marc Luce
collection DOAJ
description In History of Ancient Art, a History of the Implicit is to be attempted. Two types can be distinguished: metonymy (synedoc) and suggestion. Images where only a part of a myth is figured, leave in the implicit what the artist choose not to represent. The other type, not to be confused with the first one, is suggestion. This process, inspired from the natural vision, consists in implying what happens before and what is going to happen after the represented event. Then, around the event that the artist can represent as a snapshot of a photograph, a kind of temporal cloud is produced. The change from one type to the other is here interpreted as a key for understanding the transition from archaic to classical art.
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spelling doaj.art-cc02b88002954b3886c9b28fdb42f1a82024-02-13T10:54:52ZfraPresses universitaires du MidiPallas0031-03872272-76392022-12-0112010511910.4000/pallas.25714De la métonymie à la suggestion. Réflexion sur le passage de l’art archaïque à l’art classique en Grèce ancienneJean-Marc LuceIn History of Ancient Art, a History of the Implicit is to be attempted. Two types can be distinguished: metonymy (synedoc) and suggestion. Images where only a part of a myth is figured, leave in the implicit what the artist choose not to represent. The other type, not to be confused with the first one, is suggestion. This process, inspired from the natural vision, consists in implying what happens before and what is going to happen after the represented event. Then, around the event that the artist can represent as a snapshot of a photograph, a kind of temporal cloud is produced. The change from one type to the other is here interpreted as a key for understanding the transition from archaic to classical art.https://journals.openedition.org/pallas/25714paintingsculpturepotterymetonymysuggestionsynedoc
spellingShingle Jean-Marc Luce
De la métonymie à la suggestion. Réflexion sur le passage de l’art archaïque à l’art classique en Grèce ancienne
Pallas
painting
sculpture
pottery
metonymy
suggestion
synedoc
title De la métonymie à la suggestion. Réflexion sur le passage de l’art archaïque à l’art classique en Grèce ancienne
title_full De la métonymie à la suggestion. Réflexion sur le passage de l’art archaïque à l’art classique en Grèce ancienne
title_fullStr De la métonymie à la suggestion. Réflexion sur le passage de l’art archaïque à l’art classique en Grèce ancienne
title_full_unstemmed De la métonymie à la suggestion. Réflexion sur le passage de l’art archaïque à l’art classique en Grèce ancienne
title_short De la métonymie à la suggestion. Réflexion sur le passage de l’art archaïque à l’art classique en Grèce ancienne
title_sort de la metonymie a la suggestion reflexion sur le passage de l art archaique a l art classique en grece ancienne
topic painting
sculpture
pottery
metonymy
suggestion
synedoc
url https://journals.openedition.org/pallas/25714
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