New forms of employment in a globalised world: three figures of knowledge workers

This article analyses three figures of knowledge workers – performing arts workers, salaried entrepreneurs and makers – examined through their institutional regulation and, mainly, their practices of appropriation of knowledge. All of these workers are positioned outside the regular rules of employm...

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Main Authors: Marie-Christine Bureau, Antonella Corsani
Format: Article
Language:English
Published: Pluto Journals 2016-11-01
Series:Work Organisation, Labour and Globalisation
Online Access:https://www.scienceopen.com/hosted-document?doi=10.13169/workorgalaboglob.10.2.0101
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author Marie-Christine Bureau
Antonella Corsani
author_facet Marie-Christine Bureau
Antonella Corsani
author_sort Marie-Christine Bureau
collection DOAJ
description This article analyses three figures of knowledge workers – performing arts workers, salaried entrepreneurs and makers – examined through their institutional regulation and, mainly, their practices of appropriation of knowledge. All of these workers are positioned outside the regular rules of employment, but their activity is framed by different institutional architectures. Performing art workers are formally salaried but concretely they are almost independent, salaried entrepreneurs are quasi-entrepreneurs even when they are formally salaried, while makers produce autonomous spaces out of employment relationships. These figures are not analysed as professional groups, but through their practices of appropriation of knowledge. This analysis leads to the conclusion that, contrary to the neoliberal model of ‘self-entrepreneurship’, these experiences open up the possibility of producing a new form of autonomy gained by collective action, far from the idealised concept of individualistic autonomy.
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spelling doaj.art-cc3cc705341d4830ba452d00d9ddad0d2023-05-03T15:54:01ZengPluto JournalsWork Organisation, Labour and Globalisation1745-641X1745-64282016-11-0110210111210.13169/workorgalaboglob.10.2.0101New forms of employment in a globalised world: three figures of knowledge workersMarie-Christine BureauAntonella CorsaniThis article analyses three figures of knowledge workers – performing arts workers, salaried entrepreneurs and makers – examined through their institutional regulation and, mainly, their practices of appropriation of knowledge. All of these workers are positioned outside the regular rules of employment, but their activity is framed by different institutional architectures. Performing art workers are formally salaried but concretely they are almost independent, salaried entrepreneurs are quasi-entrepreneurs even when they are formally salaried, while makers produce autonomous spaces out of employment relationships. These figures are not analysed as professional groups, but through their practices of appropriation of knowledge. This analysis leads to the conclusion that, contrary to the neoliberal model of ‘self-entrepreneurship’, these experiences open up the possibility of producing a new form of autonomy gained by collective action, far from the idealised concept of individualistic autonomy.https://www.scienceopen.com/hosted-document?doi=10.13169/workorgalaboglob.10.2.0101
spellingShingle Marie-Christine Bureau
Antonella Corsani
New forms of employment in a globalised world: three figures of knowledge workers
Work Organisation, Labour and Globalisation
title New forms of employment in a globalised world: three figures of knowledge workers
title_full New forms of employment in a globalised world: three figures of knowledge workers
title_fullStr New forms of employment in a globalised world: three figures of knowledge workers
title_full_unstemmed New forms of employment in a globalised world: three figures of knowledge workers
title_short New forms of employment in a globalised world: three figures of knowledge workers
title_sort new forms of employment in a globalised world three figures of knowledge workers
url https://www.scienceopen.com/hosted-document?doi=10.13169/workorgalaboglob.10.2.0101
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