Christ in the wine press. On the American derivations of a medieval theme

<p>The meaning of the iconography called “Christ in the wine press” (Lagar) was enriched since its origins in the medieval European context until it crossed the Atlantic to be distributed in numerous museums and temples throughout all Latin America. In the process of encoding the image, and am...

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Main Author: Adrián Contreras-Guerrero
Format: Article
Language:Spanish
Published: Universidad de Granada 2017-06-01
Series:Cuadernos de Arte de la Universidad de Granada
Subjects:
Online Access:http://revistaseug.ugr.es/index.php/caug/article/view/6069
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author Adrián Contreras-Guerrero
author_facet Adrián Contreras-Guerrero
author_sort Adrián Contreras-Guerrero
collection DOAJ
description <p>The meaning of the iconography called “Christ in the wine press” (Lagar) was enriched since its origins in the medieval European context until it crossed the Atlantic to be distributed in numerous museums and temples throughout all Latin America. In the process of encoding the image, and among the wide variety of versions that it had had untill then, a particular model of “Lagar” became the prevalent one. Being its spreading fostered by the use of Flemish engravings, which enjoyed great popularity at the time. This text links all the social, theological and artistic discourses that gave birth to such a powerful image.</p>
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spelling doaj.art-cc8c00de0477425f949af876f2f429f42022-12-22T00:12:59ZspaUniversidad de GranadaCuadernos de Arte de la Universidad de Granada0210-962X2445-45672017-06-0148027494991Christ in the wine press. On the American derivations of a medieval themeAdrián Contreras-Guerrero0Universidad de Granada<p>The meaning of the iconography called “Christ in the wine press” (Lagar) was enriched since its origins in the medieval European context until it crossed the Atlantic to be distributed in numerous museums and temples throughout all Latin America. In the process of encoding the image, and among the wide variety of versions that it had had untill then, a particular model of “Lagar” became the prevalent one. Being its spreading fostered by the use of Flemish engravings, which enjoyed great popularity at the time. This text links all the social, theological and artistic discourses that gave birth to such a powerful image.</p>http://revistaseug.ugr.es/index.php/caug/article/view/6069Pintura virreinalContrarreformaLagar Místicosangre de Cristoimágenes alegóricasWierixfuentes grabadasHieronymus WierixAlardo de PopmaDiego de BorgrafNicolas de Bussy
spellingShingle Adrián Contreras-Guerrero
Christ in the wine press. On the American derivations of a medieval theme
Cuadernos de Arte de la Universidad de Granada
Pintura virreinal
Contrarreforma
Lagar Místico
sangre de Cristo
imágenes alegóricas
Wierix
fuentes grabadas
Hieronymus Wierix
Alardo de Popma
Diego de Borgraf
Nicolas de Bussy
title Christ in the wine press. On the American derivations of a medieval theme
title_full Christ in the wine press. On the American derivations of a medieval theme
title_fullStr Christ in the wine press. On the American derivations of a medieval theme
title_full_unstemmed Christ in the wine press. On the American derivations of a medieval theme
title_short Christ in the wine press. On the American derivations of a medieval theme
title_sort christ in the wine press on the american derivations of a medieval theme
topic Pintura virreinal
Contrarreforma
Lagar Místico
sangre de Cristo
imágenes alegóricas
Wierix
fuentes grabadas
Hieronymus Wierix
Alardo de Popma
Diego de Borgraf
Nicolas de Bussy
url http://revistaseug.ugr.es/index.php/caug/article/view/6069
work_keys_str_mv AT adriancontrerasguerrero christinthewinepressontheamericanderivationsofamedievaltheme