Animal Viewpoints in the Contact Zone of Adam Hines’s Duncan the Wonder Dog
Duncan the Wonder Dog by Adam Hines is an autoethnographic text about the contact zone, as Mary Louise Pratt describes both terms. I will be using this method of postcolonial analysis not to show how the graphic novel allegorizes postcolonialism among human beings, but instead to demonstrate how po...
Main Author: | Joan Gordon |
---|---|
Format: | Article |
Language: | English |
Published: |
Humanimalia
2014-02-01
|
Series: | Humanimalia |
Online Access: | https://humanimalia.org/article/view/9952 |
Similar Items
-
THE PROCESS OF ‘THEM’ISATION: A MARXIST READING OF BARRY HINES’S A KESTREL FOR A KNAVE
by: Sercan Hamza BAĞLAMA
Published: (2019-03-01) -
Voicing Inarticulate Childhoods in Troubled Times: Barry Hines’s A Kestrel for A Knave (1968), James Kelman’s Kieron Smith, Boy (2008) and Stephen Kelman’s Pigeon English (2011)
by: Georges Letissier
Published: (2017-10-01) -
Exposition Lewis Hine
by: Jean Kempf
Published: (2013-12-01) -
Earl Hines and "Rosetta"
by: Jeffrey Taylor
Published: (2001-02-01) -
The Hines Wage Inflation Model.
by: Mulvey, C, et al.
Published: (1977)