‘VENETIAN TEXT’ AND AESTHETICS OF REFLECTIONS IN PAUL SCHRADER’S ‘THE COMFORT OF STRANGERS’ BASED ON THE NOVEL BY IAN MсEWAN

The paper addresses aesthetics of reflections in the film adaptation of Ian McEwan’s novel The Comfort of Strangers by the director and film theorist Paul Schrader. First, it argues the so-called ‘Venetian text’ to be extremely potent for the ‘transcendental style’ glimmering, transgression, and ref...

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Bibliographic Details
Main Author: Ольга Анатольевна Джумайло (Olga A. Dzhumaylo)
Format: Article
Language:English
Published: Perm State University 2018-12-01
Series:Vestnik Permskogo universiteta: Rossijskaâ i zarubežnaâ filologiâ
Subjects:
Online Access:http://press.psu.ru/index.php/philology/article/view/2029

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