Telepresence in Text Based Theatre
This paper presents and analyzes the stage resource of Telepresence in Text Based Theatre and establishes the different categories and possible ways for its use in the production of a show. It also establishes the discursive precursors and principles that should be considered in order to make this p...
Main Author: | |
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Format: | Article |
Language: | Catalan |
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Universidad de Salamanca
2016-03-01
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Series: | 1616 |
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Online Access: | https://revistas.usal.es/index.php/1616_Anuario_Literatura_Comp/article/view/14025 |
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author | Beatriz CABUR |
author_facet | Beatriz CABUR |
author_sort | Beatriz CABUR |
collection | DOAJ |
description | This paper presents and analyzes the stage resource of Telepresence in Text Based Theatre and establishes the different categories and possible ways for its use in the production of a show. It also establishes the discursive precursors and principles that should be considered in order to make this particular genre progress. Through various practical examples based on contemporary theatrical experimentations it defines the characteristics a show must have to be classified within the genre. This paper also establishes the need of appropriate analysis and critical models to study the genre that, besides the academic value they will have in themselves, will surely help theatre makers develop their work. |
first_indexed | 2024-04-11T23:18:00Z |
format | Article |
id | doaj.art-cd064e621a084e758fba8d4f64bd689d |
institution | Directory Open Access Journal |
issn | 0210-7287 2445-2262 |
language | Catalan |
last_indexed | 2024-04-11T23:18:00Z |
publishDate | 2016-03-01 |
publisher | Universidad de Salamanca |
record_format | Article |
series | 1616 |
spelling | doaj.art-cd064e621a084e758fba8d4f64bd689d2022-12-22T03:57:34ZcatUniversidad de Salamanca16160210-72872445-22622016-03-0150758412764Telepresence in Text Based TheatreBeatriz CABUR0Universidad Carlos IIIThis paper presents and analyzes the stage resource of Telepresence in Text Based Theatre and establishes the different categories and possible ways for its use in the production of a show. It also establishes the discursive precursors and principles that should be considered in order to make this particular genre progress. Through various practical examples based on contemporary theatrical experimentations it defines the characteristics a show must have to be classified within the genre. This paper also establishes the need of appropriate analysis and critical models to study the genre that, besides the academic value they will have in themselves, will surely help theatre makers develop their work.https://revistas.usal.es/index.php/1616_Anuario_Literatura_Comp/article/view/14025teatrotelepresenciarecursos escénicosteatro digitalgeodeslocalización escénica |
spellingShingle | Beatriz CABUR Telepresence in Text Based Theatre 1616 teatro telepresencia recursos escénicos teatro digital geodeslocalización escénica |
title | Telepresence in Text Based Theatre |
title_full | Telepresence in Text Based Theatre |
title_fullStr | Telepresence in Text Based Theatre |
title_full_unstemmed | Telepresence in Text Based Theatre |
title_short | Telepresence in Text Based Theatre |
title_sort | telepresence in text based theatre |
topic | teatro telepresencia recursos escénicos teatro digital geodeslocalización escénica |
url | https://revistas.usal.es/index.php/1616_Anuario_Literatura_Comp/article/view/14025 |
work_keys_str_mv | AT beatrizcabur telepresenceintextbasedtheatre |