L’événement historique et son double. Jeremy Deller, The battle of Orgreave
In 2001, Jeremy Deller “replayed” with its real protagonists a battle of 1984 between miners and police under Margaret Thatcher. His completion of a cathartic scene is only valid in the first place for its considerable labour in interviewing, collecting data, archives, etc. Thought of as much as a l...
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| Format: | Article |
| Language: | fra |
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Centre d´Histoire et Théorie des Arts
2011-04-01
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| Series: | Images Re-Vues |
| Subjects: | |
| Online Access: | http://journals.openedition.org/imagesrevues/334 |
| _version_ | 1818448727931617280 |
|---|---|
| author | Morad Montazami |
| author_facet | Morad Montazami |
| author_sort | Morad Montazami |
| collection | DOAJ |
| description | In 2001, Jeremy Deller “replayed” with its real protagonists a battle of 1984 between miners and police under Margaret Thatcher. His completion of a cathartic scene is only valid in the first place for its considerable labour in interviewing, collecting data, archives, etc. Thought of as much as a laboratory for anthropological observation, where the figures who featured in it come back to life, as a work site for an historical investigation, the event splits in two the better to reformulate the experience for us. Between reconstitution, counter-documentary, and live cinema Watkins’ narrative strategies – most notably in his film on the Commune of Paris – have prefigured in contemporary art such a work of living history. |
| first_indexed | 2024-12-14T20:24:07Z |
| format | Article |
| id | doaj.art-cd3ecc207d51497bbc6521dbe3e9f111 |
| institution | Directory Open Access Journal |
| issn | 1778-3801 |
| language | fra |
| last_indexed | 2024-12-14T20:24:07Z |
| publishDate | 2011-04-01 |
| publisher | Centre d´Histoire et Théorie des Arts |
| record_format | Article |
| series | Images Re-Vues |
| spelling | doaj.art-cd3ecc207d51497bbc6521dbe3e9f1112022-12-21T22:48:40ZfraCentre d´Histoire et Théorie des ArtsImages Re-Vues1778-38012011-04-015L’événement historique et son double. Jeremy Deller, The battle of OrgreaveMorad MontazamiIn 2001, Jeremy Deller “replayed” with its real protagonists a battle of 1984 between miners and police under Margaret Thatcher. His completion of a cathartic scene is only valid in the first place for its considerable labour in interviewing, collecting data, archives, etc. Thought of as much as a laboratory for anthropological observation, where the figures who featured in it come back to life, as a work site for an historical investigation, the event splits in two the better to reformulate the experience for us. Between reconstitution, counter-documentary, and live cinema Watkins’ narrative strategies – most notably in his film on the Commune of Paris – have prefigured in contemporary art such a work of living history.http://journals.openedition.org/imagesrevues/334archiveDeller (Jeremy)performancereconstructionThe Battle of Orgreave |
| spellingShingle | Morad Montazami L’événement historique et son double. Jeremy Deller, The battle of Orgreave Images Re-Vues archive Deller (Jeremy) performance reconstruction The Battle of Orgreave |
| title | L’événement historique et son double. Jeremy Deller, The battle of Orgreave |
| title_full | L’événement historique et son double. Jeremy Deller, The battle of Orgreave |
| title_fullStr | L’événement historique et son double. Jeremy Deller, The battle of Orgreave |
| title_full_unstemmed | L’événement historique et son double. Jeremy Deller, The battle of Orgreave |
| title_short | L’événement historique et son double. Jeremy Deller, The battle of Orgreave |
| title_sort | l evenement historique et son double jeremy deller the battle of orgreave |
| topic | archive Deller (Jeremy) performance reconstruction The Battle of Orgreave |
| url | http://journals.openedition.org/imagesrevues/334 |
| work_keys_str_mv | AT moradmontazami levenementhistoriqueetsondoublejeremydellerthebattleoforgreave |