The Theatre of Dissent in Non-aligned Slovenia and Yugoslavia from the 1950-ies till the Fall of the Berlin Wall

The aim of the essay is to throw some additional light on the politics of dissent in the Slovene and Yugoslav theatre of the 20th century. It focuses on the specific Central and East European area of non-aligned Yugoslavia as a Second World cultural model in the period of socialism and post-socialis...

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Main Author: Tomaž Toporišič
Format: Article
Language:English
Published: UNICApress 2020-05-01
Series:Between
Subjects:
Online Access:https://ojs.unica.it/index.php/between/article/view/4006
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author Tomaž Toporišič
author_facet Tomaž Toporišič
author_sort Tomaž Toporišič
collection DOAJ
description The aim of the essay is to throw some additional light on the politics of dissent in the Slovene and Yugoslav theatre of the 20th century. It focuses on the specific Central and East European area of non-aligned Yugoslavia as a Second World cultural model in the period of socialism and post-socialism. It thus outlines the alternative culture that emerged after Tito’s break with Stalin in 1948 and continued with neo-avant-gardes and movements of dissent in the postmodern era marked by a severe crisis of self-management socialism. The essay starts from the definitions of the political in the post-dramatic by Hans-Thies Lehmann, and the theatre of opposition or dissidence and theatre of consensus by Valentina Valentini. It outlines the specific character of the Slovene theatre and the ideology of mild socialism that continued to define many aspects of the political within the one-party system of the former Yugoslavia. Thus, it maps a new geography of this specific East European theatre of dissent from the experimental theatre of the 1960's and 1970's until the retro-avant-garde subversive theatre of the Neue Slowenische Kunst.
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spelling doaj.art-cd89880948a44cdbb7f201323911747f2023-08-02T02:18:49ZengUNICApressBetween2039-65972020-05-01101910.13125/2039-6597/40062877The Theatre of Dissent in Non-aligned Slovenia and Yugoslavia from the 1950-ies till the Fall of the Berlin WallTomaž Toporišič0University of Ljubljana, Accademy for Theatre (AGRFT)The aim of the essay is to throw some additional light on the politics of dissent in the Slovene and Yugoslav theatre of the 20th century. It focuses on the specific Central and East European area of non-aligned Yugoslavia as a Second World cultural model in the period of socialism and post-socialism. It thus outlines the alternative culture that emerged after Tito’s break with Stalin in 1948 and continued with neo-avant-gardes and movements of dissent in the postmodern era marked by a severe crisis of self-management socialism. The essay starts from the definitions of the political in the post-dramatic by Hans-Thies Lehmann, and the theatre of opposition or dissidence and theatre of consensus by Valentina Valentini. It outlines the specific character of the Slovene theatre and the ideology of mild socialism that continued to define many aspects of the political within the one-party system of the former Yugoslavia. Thus, it maps a new geography of this specific East European theatre of dissent from the experimental theatre of the 1960's and 1970's until the retro-avant-garde subversive theatre of the Neue Slowenische Kunst.https://ojs.unica.it/index.php/between/article/view/4006dissent theatretheatre of consensusretro avant-gardepost-dramaticpoliticised art
spellingShingle Tomaž Toporišič
The Theatre of Dissent in Non-aligned Slovenia and Yugoslavia from the 1950-ies till the Fall of the Berlin Wall
Between
dissent theatre
theatre of consensus
retro avant-garde
post-dramatic
politicised art
title The Theatre of Dissent in Non-aligned Slovenia and Yugoslavia from the 1950-ies till the Fall of the Berlin Wall
title_full The Theatre of Dissent in Non-aligned Slovenia and Yugoslavia from the 1950-ies till the Fall of the Berlin Wall
title_fullStr The Theatre of Dissent in Non-aligned Slovenia and Yugoslavia from the 1950-ies till the Fall of the Berlin Wall
title_full_unstemmed The Theatre of Dissent in Non-aligned Slovenia and Yugoslavia from the 1950-ies till the Fall of the Berlin Wall
title_short The Theatre of Dissent in Non-aligned Slovenia and Yugoslavia from the 1950-ies till the Fall of the Berlin Wall
title_sort theatre of dissent in non aligned slovenia and yugoslavia from the 1950 ies till the fall of the berlin wall
topic dissent theatre
theatre of consensus
retro avant-garde
post-dramatic
politicised art
url https://ojs.unica.it/index.php/between/article/view/4006
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AT tomaztoporisic theatreofdissentinnonalignedsloveniaandyugoslaviafromthe1950iestillthefalloftheberlinwall