Exploring the evidence of scientific and artistic patronage of Polish King Jan III Sobieski (1674-1696): a focus on the library in Wilanów Palace

The library one can still see at Wilanów Palace (former Villa Nova), a suburban villa of the Polish valiant King, Jan III Sobieski (1674-1696), no longer holds any book nor any print, as they were dispersed among the king’s inheritors, gathered in their various and distant estates, and then regretfu...

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Main Author: Marta Gołąbek
Format: Article
Language:English
Published: Centre de Recherche du Château de Versailles 2006-03-01
Series:Bulletin du Centre de Recherche du Château de Versailles
Subjects:
Online Access:http://journals.openedition.org/crcv/11546
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author Marta Gołąbek
author_facet Marta Gołąbek
author_sort Marta Gołąbek
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description The library one can still see at Wilanów Palace (former Villa Nova), a suburban villa of the Polish valiant King, Jan III Sobieski (1674-1696), no longer holds any book nor any print, as they were dispersed among the king’s inheritors, gathered in their various and distant estates, and then regretfully lost.What extants today from the Library is a stucco and painting decoration dating back to the 1680s, comprising two grand tondos and smaller medallions with effigies of Eruditorum et Sapientum. The two main images represent allegorical figures of Theology and Philosophy creating a perfect balanced expression of two fundamental disciplines of human thought. They patronize smaller medallions which are composed as double portraits — a representative of science and arts from modern times is always assisted by his antique or pagan predecessor, Fidias and Michelangelo, Ptolomeus and Copernicus, Archimedes and Galileus, etc.The ideological programme of this decoration still raises questions and encourages our research. Was it just a means of cataloguing books and a regular realization according to well-known iconography fit for libraries? Was it also a certain ideological and propaganda statement of the monarch who was regarded during his reign as one of the erudite kings? How does it relate to the general significance of Wilanów that was adorned on the façade according to Sobieski’s will with an inscription stating: Quod Vetus Urbs Colluit Nunc Nova Villa Tenet? My paper will point out relations between those elements which were a well-known set of motifs to adorn such interiors and those who appeared here due to the site specific of the place; Wilanów, a new antique villa for a King who was Primus Inter Pares, a voted sovereign for the Commonwealth of Two Nations, the nation that regarded its origins in the classical antiquity of Sarmatians. His reign, although dominated by Bellona’s actions, never ignored those which were dominated by Apollo and Muses. For the King himself supported (intellectually and financially) Jan Hevelius (astronomer), Adam Kochański (mathematician and physician) and Philippe Avril (French Jesuit missionary, geographer and explorer of far East) and in 1684 became a member and protector of the Accademia degli Argonauti founded in Venice in 1684. A perfect combination of bold and accurate attitude for the new science that spread across Europe found its pre-academic center in the court of Jan III Sobieski, on the Eastern boundaries of the Latin world. Its symptomatic and peculiar evidence remains the Library of Wilanów Palace.
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spelling doaj.art-ce4a1f8cb4d84ed7818d124bd38d74ab2022-12-21T18:47:40ZengCentre de Recherche du Château de VersaillesBulletin du Centre de Recherche du Château de Versailles1958-92712006-03-0110.4000/crcv.11546Exploring the evidence of scientific and artistic patronage of Polish King Jan III Sobieski (1674-1696): a focus on the library in Wilanów PalaceMarta GołąbekThe library one can still see at Wilanów Palace (former Villa Nova), a suburban villa of the Polish valiant King, Jan III Sobieski (1674-1696), no longer holds any book nor any print, as they were dispersed among the king’s inheritors, gathered in their various and distant estates, and then regretfully lost.What extants today from the Library is a stucco and painting decoration dating back to the 1680s, comprising two grand tondos and smaller medallions with effigies of Eruditorum et Sapientum. The two main images represent allegorical figures of Theology and Philosophy creating a perfect balanced expression of two fundamental disciplines of human thought. They patronize smaller medallions which are composed as double portraits — a representative of science and arts from modern times is always assisted by his antique or pagan predecessor, Fidias and Michelangelo, Ptolomeus and Copernicus, Archimedes and Galileus, etc.The ideological programme of this decoration still raises questions and encourages our research. Was it just a means of cataloguing books and a regular realization according to well-known iconography fit for libraries? Was it also a certain ideological and propaganda statement of the monarch who was regarded during his reign as one of the erudite kings? How does it relate to the general significance of Wilanów that was adorned on the façade according to Sobieski’s will with an inscription stating: Quod Vetus Urbs Colluit Nunc Nova Villa Tenet? My paper will point out relations between those elements which were a well-known set of motifs to adorn such interiors and those who appeared here due to the site specific of the place; Wilanów, a new antique villa for a King who was Primus Inter Pares, a voted sovereign for the Commonwealth of Two Nations, the nation that regarded its origins in the classical antiquity of Sarmatians. His reign, although dominated by Bellona’s actions, never ignored those which were dominated by Apollo and Muses. For the King himself supported (intellectually and financially) Jan Hevelius (astronomer), Adam Kochański (mathematician and physician) and Philippe Avril (French Jesuit missionary, geographer and explorer of far East) and in 1684 became a member and protector of the Accademia degli Argonauti founded in Venice in 1684. A perfect combination of bold and accurate attitude for the new science that spread across Europe found its pre-academic center in the court of Jan III Sobieski, on the Eastern boundaries of the Latin world. Its symptomatic and peculiar evidence remains the Library of Wilanów Palace.http://journals.openedition.org/crcv/11546scienceslibrarypatronageJan III SobieskiAccademia degli ArgonautiGottfried Wilhelm Leibniz
spellingShingle Marta Gołąbek
Exploring the evidence of scientific and artistic patronage of Polish King Jan III Sobieski (1674-1696): a focus on the library in Wilanów Palace
Bulletin du Centre de Recherche du Château de Versailles
sciences
library
patronage
Jan III Sobieski
Accademia degli Argonauti
Gottfried Wilhelm Leibniz
title Exploring the evidence of scientific and artistic patronage of Polish King Jan III Sobieski (1674-1696): a focus on the library in Wilanów Palace
title_full Exploring the evidence of scientific and artistic patronage of Polish King Jan III Sobieski (1674-1696): a focus on the library in Wilanów Palace
title_fullStr Exploring the evidence of scientific and artistic patronage of Polish King Jan III Sobieski (1674-1696): a focus on the library in Wilanów Palace
title_full_unstemmed Exploring the evidence of scientific and artistic patronage of Polish King Jan III Sobieski (1674-1696): a focus on the library in Wilanów Palace
title_short Exploring the evidence of scientific and artistic patronage of Polish King Jan III Sobieski (1674-1696): a focus on the library in Wilanów Palace
title_sort exploring the evidence of scientific and artistic patronage of polish king jan iii sobieski 1674 1696 a focus on the library in wilanow palace
topic sciences
library
patronage
Jan III Sobieski
Accademia degli Argonauti
Gottfried Wilhelm Leibniz
url http://journals.openedition.org/crcv/11546
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