La bédéphilie comme aiguillon créatif : les années 1960 en France
Bedephilia refers to historical, critical and theoretical discourses about comics, but it can also partake in the opening of new creative possibilities. The evolution in the output of some of the authors who participated in the early bedephilia movement, such as Jean-Claude Forest or Alain Tercinet,...
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Format: | Article |
Language: | English |
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Université Paris XIII
2021-04-01
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Series: | Comicalités |
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Online Access: | http://journals.openedition.org/comicalites/5909 |
_version_ | 1818619371505844224 |
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author | Benoît Preteseille |
author_facet | Benoît Preteseille |
author_sort | Benoît Preteseille |
collection | DOAJ |
description | Bedephilia refers to historical, critical and theoretical discourses about comics, but it can also partake in the opening of new creative possibilities. The evolution in the output of some of the authors who participated in the early bedephilia movement, such as Jean-Claude Forest or Alain Tercinet, shows that their creative choices may have been influenced by their belonging to the early circles of comics enthusiasts. The emphasis laid on authorship within these circles is also likely to have encouraged experimental productions in contemporary graphic storytelling. |
first_indexed | 2024-12-16T17:36:25Z |
format | Article |
id | doaj.art-cf083cb67b014ade92b9ccd82079145c |
institution | Directory Open Access Journal |
issn | 2117-4911 |
language | English |
last_indexed | 2024-12-16T17:36:25Z |
publishDate | 2021-04-01 |
publisher | Université Paris XIII |
record_format | Article |
series | Comicalités |
spelling | doaj.art-cf083cb67b014ade92b9ccd82079145c2022-12-21T22:22:45ZengUniversité Paris XIIIComicalités2117-49112021-04-01La bédéphilie comme aiguillon créatif : les années 1960 en FranceBenoît PreteseilleBedephilia refers to historical, critical and theoretical discourses about comics, but it can also partake in the opening of new creative possibilities. The evolution in the output of some of the authors who participated in the early bedephilia movement, such as Jean-Claude Forest or Alain Tercinet, shows that their creative choices may have been influenced by their belonging to the early circles of comics enthusiasts. The emphasis laid on authorship within these circles is also likely to have encouraged experimental productions in contemporary graphic storytelling.http://journals.openedition.org/comicalites/5909avant-gardeexhibitioncomics fandomeroticismpop artgraphic design |
spellingShingle | Benoît Preteseille La bédéphilie comme aiguillon créatif : les années 1960 en France Comicalités avant-garde exhibition comics fandom eroticism pop art graphic design |
title | La bédéphilie comme aiguillon créatif : les années 1960 en France |
title_full | La bédéphilie comme aiguillon créatif : les années 1960 en France |
title_fullStr | La bédéphilie comme aiguillon créatif : les années 1960 en France |
title_full_unstemmed | La bédéphilie comme aiguillon créatif : les années 1960 en France |
title_short | La bédéphilie comme aiguillon créatif : les années 1960 en France |
title_sort | la bedephilie comme aiguillon creatif les annees 1960 en france |
topic | avant-garde exhibition comics fandom eroticism pop art graphic design |
url | http://journals.openedition.org/comicalites/5909 |
work_keys_str_mv | AT benoitpreteseille labedephiliecommeaiguilloncreatiflesannees1960enfrance |