Musica di paesaggi sonori. Enunciazione, risignificazione, comunicazione
The paper – rapidly retracing some fundamental stages in the history of sound studies – questions the relationship between soundscape and music language and proposes a reflection on the resulting ontologies of sound. In the traditional conception of soundscape studies, musical language should contri...
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| Format: | Article |
| Language: | English |
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LED Edizioni Universitarie
2021-08-01
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| Series: | Geography Notebooks |
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| Online Access: | https://www.ledonline.it/index.php/Geography-Notebooks/article/view/2227 |
| Summary: | The paper – rapidly retracing some fundamental stages in the history of sound studies – questions the relationship between soundscape and music language and proposes a reflection on the resulting ontologies of sound. In the traditional conception of soundscape studies, musical language should contribute to a re-orchestration of environmental sound and should promote awareness and active listening of extra-musical sounds. However, every music composition or performance that draws on this kind of acoustic material, inevitably transforms its fruition. Immediacy is in fact impossible and each perception produces a new meaning. The article highlights the value of subjective perception and creative processes in the multidisciplinary discussion about soundscape. |
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| ISSN: | 2611-7193 2611-7207 |