Musica di paesaggi sonori. Enunciazione, risignificazione, comunicazione

The paper – rapidly retracing some fundamental stages in the history of sound studies – questions the relationship between soundscape and music language and proposes a reflection on the resulting ontologies of sound. In the traditional conception of soundscape studies, musical language should contri...

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Main Author: Carlotta Sillano
Format: Article
Language:English
Published: LED Edizioni Universitarie 2021-08-01
Series:Geography Notebooks
Subjects:
Online Access:https://www.ledonline.it/index.php/Geography-Notebooks/article/view/2227
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author Carlotta Sillano
author_facet Carlotta Sillano
author_sort Carlotta Sillano
collection DOAJ
description The paper – rapidly retracing some fundamental stages in the history of sound studies – questions the relationship between soundscape and music language and proposes a reflection on the resulting ontologies of sound. In the traditional conception of soundscape studies, musical language should contribute to a re-orchestration of environmental sound and should promote awareness and active listening of extra-musical sounds. However, every music composition or performance that draws on this kind of acoustic material, inevitably transforms its fruition. Immediacy is in fact impossible and each perception produces a new meaning. The article highlights the value of subjective perception and creative processes in the multidisciplinary discussion about soundscape.
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spelling doaj.art-cf157539753d4616b4f66559264afd172022-12-21T20:17:30ZengLED Edizioni UniversitarieGeography Notebooks2611-71932611-72072021-08-0141738110.7358/gn-2021-001-sill1455Musica di paesaggi sonori. Enunciazione, risignificazione, comunicazioneCarlotta SillanoThe paper – rapidly retracing some fundamental stages in the history of sound studies – questions the relationship between soundscape and music language and proposes a reflection on the resulting ontologies of sound. In the traditional conception of soundscape studies, musical language should contribute to a re-orchestration of environmental sound and should promote awareness and active listening of extra-musical sounds. However, every music composition or performance that draws on this kind of acoustic material, inevitably transforms its fruition. Immediacy is in fact impossible and each perception produces a new meaning. The article highlights the value of subjective perception and creative processes in the multidisciplinary discussion about soundscape.https://www.ledonline.it/index.php/Geography-Notebooks/article/view/2227soundscapemusicsound ontologymusic semiologyacoustic communication.
spellingShingle Carlotta Sillano
Musica di paesaggi sonori. Enunciazione, risignificazione, comunicazione
Geography Notebooks
soundscape
music
sound ontology
music semiology
acoustic communication.
title Musica di paesaggi sonori. Enunciazione, risignificazione, comunicazione
title_full Musica di paesaggi sonori. Enunciazione, risignificazione, comunicazione
title_fullStr Musica di paesaggi sonori. Enunciazione, risignificazione, comunicazione
title_full_unstemmed Musica di paesaggi sonori. Enunciazione, risignificazione, comunicazione
title_short Musica di paesaggi sonori. Enunciazione, risignificazione, comunicazione
title_sort musica di paesaggi sonori enunciazione risignificazione comunicazione
topic soundscape
music
sound ontology
music semiology
acoustic communication.
url https://www.ledonline.it/index.php/Geography-Notebooks/article/view/2227
work_keys_str_mv AT carlottasillano musicadipaesaggisonorienunciazionerisignificazionecomunicazione