« Darul lumei cântă » / « Chante le don du monde ». Approches poétiques de la sculpture de Constantin Brancusi

Based mainly on writings (poems, literary essays, art writings) by Dan Botta, Lucian Blaga, Roger Vitrac, Alain Jouffroy and Raymond Queneau, this paper examines the specificity of the relations between Brancusi’s work and poetry. These poets focused particularly on two aspects: first of all, on the...

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Main Author: Ana-Maria Gîrleanu-Guichard
Format: Article
Language:English
Published: OpenEdition 2016-12-01
Series:Recherches
Subjects:
Online Access:http://journals.openedition.org/cher/5685
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author Ana-Maria Gîrleanu-Guichard
author_facet Ana-Maria Gîrleanu-Guichard
author_sort Ana-Maria Gîrleanu-Guichard
collection DOAJ
description Based mainly on writings (poems, literary essays, art writings) by Dan Botta, Lucian Blaga, Roger Vitrac, Alain Jouffroy and Raymond Queneau, this paper examines the specificity of the relations between Brancusi’s work and poetry. These poets focused particularly on two aspects: first of all, on the “the effect of life” that Brancusi’s sculptures produce on certain viewers, jointly to the silent means of communication that are proper to the visual arts, and, second, on the ritual dimension of the process of creation and reception. The efficiency of art work, its autonomy as well as its capacity to open the way to the o(O)ther are investigated. Brancusi’s writings (considerations on art and poems) come to provide some insight into this dialogue between poetry and sculpture, one of the most intense in the history of 20th century art.
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spelling doaj.art-cf2a0bf4cbca46bfb4f9bfcc6b90a9ea2022-12-22T02:38:09ZengOpenEditionRecherches1968-035X2803-59922016-12-01179111010.4000/cher.5685« Darul lumei cântă » / « Chante le don du monde ». Approches poétiques de la sculpture de Constantin BrancusiAna-Maria Gîrleanu-GuichardBased mainly on writings (poems, literary essays, art writings) by Dan Botta, Lucian Blaga, Roger Vitrac, Alain Jouffroy and Raymond Queneau, this paper examines the specificity of the relations between Brancusi’s work and poetry. These poets focused particularly on two aspects: first of all, on the “the effect of life” that Brancusi’s sculptures produce on certain viewers, jointly to the silent means of communication that are proper to the visual arts, and, second, on the ritual dimension of the process of creation and reception. The efficiency of art work, its autonomy as well as its capacity to open the way to the o(O)ther are investigated. Brancusi’s writings (considerations on art and poems) come to provide some insight into this dialogue between poetry and sculpture, one of the most intense in the history of 20th century art.http://journals.openedition.org/cher/5685Brancusisculpturepoetryeffect of lifeefficiency of art workritual
spellingShingle Ana-Maria Gîrleanu-Guichard
« Darul lumei cântă » / « Chante le don du monde ». Approches poétiques de la sculpture de Constantin Brancusi
Recherches
Brancusi
sculpture
poetry
effect of life
efficiency of art work
ritual
title « Darul lumei cântă » / « Chante le don du monde ». Approches poétiques de la sculpture de Constantin Brancusi
title_full « Darul lumei cântă » / « Chante le don du monde ». Approches poétiques de la sculpture de Constantin Brancusi
title_fullStr « Darul lumei cântă » / « Chante le don du monde ». Approches poétiques de la sculpture de Constantin Brancusi
title_full_unstemmed « Darul lumei cântă » / « Chante le don du monde ». Approches poétiques de la sculpture de Constantin Brancusi
title_short « Darul lumei cântă » / « Chante le don du monde ». Approches poétiques de la sculpture de Constantin Brancusi
title_sort darul lumei canta chante le don du monde approches poetiques de la sculpture de constantin brancusi
topic Brancusi
sculpture
poetry
effect of life
efficiency of art work
ritual
url http://journals.openedition.org/cher/5685
work_keys_str_mv AT anamariagirleanuguichard darullumeicantachanteledondumondeapprochespoetiquesdelasculpturedeconstantinbrancusi