"Racism's part of my culture": Nation, race and humour in Irish Jam (2006) and The Guard (2011)
This article applies theories of humour (incongruity, superiority, relief) to a reading of the films Irish Jam (John Eyres, 2006) and The Guard (John Michael McDonagh, 2011) in order to interrogate their depiction of racial, national and cultural stereotypes and differences. Both films combine eleme...
Main Author: | Loretta Goff |
---|---|
Format: | Article |
Language: | English |
Published: |
University College Cork
2017-07-01
|
Series: | Alphaville: Journal of Film and Screen Media |
Subjects: | |
Online Access: | http://www.alphavillejournal.com/Issue13/HTML/ArticleGoff.html |
Similar Items
-
Representations of Masculinities in John Michael McDonagh’s Satirical Film Text The Guard
by: José Díaz-Cuesta
Published: (2018-10-01) -
The liminal position of Irish cinema: Is using the English language a key to success?
by: Isabelle Le Corff
Published: (2013-04-01) -
Post-racialisme, déni du racisme et crise de la blanchité
by: Alana Lentin
Published: (2019-05-01) -
Racisme scientifique et « race » chez John Rogers Commons
by: Benjamin Dubrion
Published: (2021-12-01) -
British Humour as the Art of Contemporary Homo Ridens: Based on an Exploration of the Comedy Series Fawlty Towers
by: Agata Figiel
Published: (2015-11-01)