Pandemics, Delays, and Pure Data: on ‘afterlives’ (2020), for Flute and Live Electronics and Visuals

The essay addresses creative and technical aspects of the piece ‘afterlives’ (2020), for flute and live electronics and visuals. Composed and premiered in the context of the COVID-19 pandemic, the composition employs audiovisual processes based on different audiovisual techniques: phase-vocoders, bu...

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Main Author: 10.33871/23179937.2021.9.2.17
Format: Article
Language:English
Published: Universidade Estadual do Paraná 2021-11-01
Series:Revista Vortex
Subjects:
Online Access:http://periodicos.unespar.edu.br/index.php/vortex/article/view/4542
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author 10.33871/23179937.2021.9.2.17
author_facet 10.33871/23179937.2021.9.2.17
author_sort 10.33871/23179937.2021.9.2.17
collection DOAJ
description The essay addresses creative and technical aspects of the piece ‘afterlives’ (2020), for flute and live electronics and visuals. Composed and premiered in the context of the COVID-19 pandemic, the composition employs audiovisual processes based on different audiovisual techniques: phase-vocoders, buffer-based granulations, Ambisonics spatialization, and variable delay of video streams. The resulting sounds and images allude to typical situations of social interaction via video conferencing applications. ‘Afterlives’ relies on an interplay between current, almost-current, and past moments of the audiovisual streams, which dephase the performer’s images and sounds. I have avoided, in text, delving deeper into the Pure Data abstractions and or into the musical analysis of my composition. The main purpose of the text is rather to present compositional/technical elements of ‘afterlives’ and discuss how they enable new experiences of time.
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spelling doaj.art-cf8caccd67e64234b8bbce4890f667132022-12-21T23:32:41ZengUniversidade Estadual do ParanáRevista Vortex2317-99372021-11-019211410.33871/23179937.2021.9.2.17Pandemics, Delays, and Pure Data: on ‘afterlives’ (2020), for Flute and Live Electronics and Visuals10.33871/23179937.2021.9.2.170https://orcid.org/0000-0002-8919-7393Universidade Federal de Minas Gerais: Belo Horizonte, Minas Gerais, BRThe essay addresses creative and technical aspects of the piece ‘afterlives’ (2020), for flute and live electronics and visuals. Composed and premiered in the context of the COVID-19 pandemic, the composition employs audiovisual processes based on different audiovisual techniques: phase-vocoders, buffer-based granulations, Ambisonics spatialization, and variable delay of video streams. The resulting sounds and images allude to typical situations of social interaction via video conferencing applications. ‘Afterlives’ relies on an interplay between current, almost-current, and past moments of the audiovisual streams, which dephase the performer’s images and sounds. I have avoided, in text, delving deeper into the Pure Data abstractions and or into the musical analysis of my composition. The main purpose of the text is rather to present compositional/technical elements of ‘afterlives’ and discuss how they enable new experiences of time. http://periodicos.unespar.edu.br/index.php/vortex/article/view/4542pure datatime warpingphase vocoderlive electronicsmultimedia composition
spellingShingle 10.33871/23179937.2021.9.2.17
Pandemics, Delays, and Pure Data: on ‘afterlives’ (2020), for Flute and Live Electronics and Visuals
Revista Vortex
pure data
time warping
phase vocoder
live electronics
multimedia composition
title Pandemics, Delays, and Pure Data: on ‘afterlives’ (2020), for Flute and Live Electronics and Visuals
title_full Pandemics, Delays, and Pure Data: on ‘afterlives’ (2020), for Flute and Live Electronics and Visuals
title_fullStr Pandemics, Delays, and Pure Data: on ‘afterlives’ (2020), for Flute and Live Electronics and Visuals
title_full_unstemmed Pandemics, Delays, and Pure Data: on ‘afterlives’ (2020), for Flute and Live Electronics and Visuals
title_short Pandemics, Delays, and Pure Data: on ‘afterlives’ (2020), for Flute and Live Electronics and Visuals
title_sort pandemics delays and pure data on afterlives 2020 for flute and live electronics and visuals
topic pure data
time warping
phase vocoder
live electronics
multimedia composition
url http://periodicos.unespar.edu.br/index.php/vortex/article/view/4542
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