Au croisement des mondialisations. Le cas du chanteur Sami Yusuf
During the last decennium Muslim artists have emerged in Europe who without renouncing their religion makes for more freedom. Singers, for instance, availing themselves of instruments of dubious orthodoxy, have contributed to the cultural globalization now afoot. These stars are applauded beyond the...
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| Format: | Article |
| Language: | English |
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Université Catholique de Louvain
2006-12-01
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| Series: | Recherches Sociologiques et Anthropologiques |
| Online Access: | https://journals.openedition.org/rsa/569 |
| _version_ | 1797314474113236992 |
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| author | Farid El Asri |
| author_facet | Farid El Asri |
| author_sort | Farid El Asri |
| collection | DOAJ |
| description | During the last decennium Muslim artists have emerged in Europe who without renouncing their religion makes for more freedom. Singers, for instance, availing themselves of instruments of dubious orthodoxy, have contributed to the cultural globalization now afoot. These stars are applauded beyond the frontiers of the Old World and their careers are followed eagerly in the Muslim world – Sami Yusuf being typical. Living in London he has combined traditional Nasheed songs with the aesthetic and committed accents of western culture. An analytical understanding of this phenomenon is here proposed. |
| first_indexed | 2024-03-08T02:47:39Z |
| format | Article |
| id | doaj.art-cf94fea5a04145e3b777ef443fc8c758 |
| institution | Directory Open Access Journal |
| issn | 1782-1592 2033-7485 |
| language | English |
| last_indexed | 2024-03-08T02:47:39Z |
| publishDate | 2006-12-01 |
| publisher | Université Catholique de Louvain |
| record_format | Article |
| series | Recherches Sociologiques et Anthropologiques |
| spelling | doaj.art-cf94fea5a04145e3b777ef443fc8c7582024-02-13T13:18:29ZengUniversité Catholique de LouvainRecherches Sociologiques et Anthropologiques1782-15922033-74852006-12-01372799110.4000/rsa.569Au croisement des mondialisations. Le cas du chanteur Sami YusufFarid El AsriDuring the last decennium Muslim artists have emerged in Europe who without renouncing their religion makes for more freedom. Singers, for instance, availing themselves of instruments of dubious orthodoxy, have contributed to the cultural globalization now afoot. These stars are applauded beyond the frontiers of the Old World and their careers are followed eagerly in the Muslim world – Sami Yusuf being typical. Living in London he has combined traditional Nasheed songs with the aesthetic and committed accents of western culture. An analytical understanding of this phenomenon is here proposed.https://journals.openedition.org/rsa/569 |
| spellingShingle | Farid El Asri Au croisement des mondialisations. Le cas du chanteur Sami Yusuf Recherches Sociologiques et Anthropologiques |
| title | Au croisement des mondialisations. Le cas du chanteur Sami Yusuf |
| title_full | Au croisement des mondialisations. Le cas du chanteur Sami Yusuf |
| title_fullStr | Au croisement des mondialisations. Le cas du chanteur Sami Yusuf |
| title_full_unstemmed | Au croisement des mondialisations. Le cas du chanteur Sami Yusuf |
| title_short | Au croisement des mondialisations. Le cas du chanteur Sami Yusuf |
| title_sort | au croisement des mondialisations le cas du chanteur sami yusuf |
| url | https://journals.openedition.org/rsa/569 |
| work_keys_str_mv | AT faridelasri aucroisementdesmondialisationslecasduchanteursamiyusuf |