A cruel and pointless trick? False non-closure in Horace’s Odes

Some scholars argue that only a change of metre signals the beginning of a new poem in Horace’s Odes. Woodman has objected that, if this were the case, the juxtaposition of poems in the third and second asclepiadic metres, which begin with the same two metrical lines, would mislead the reader into t...

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Main Author: Robert Cowan
Format: Article
Language:deu
Published: Université Lille-3 2023-12-01
Series:Dictynna
Subjects:
Online Access:http://journals.openedition.org/dictynna/3539
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author Robert Cowan
author_facet Robert Cowan
author_sort Robert Cowan
collection DOAJ
description Some scholars argue that only a change of metre signals the beginning of a new poem in Horace’s Odes. Woodman has objected that, if this were the case, the juxtaposition of poems in the third and second asclepiadic metres, which begin with the same two metrical lines, would mislead the reader into thinking that a poem was continuing, only to realize belatedly at the third line that a new poem had begun, ‘a cruel and pointless trick’. This article explores the positive potential of such a trick, which I term false non-closure, to produce pointed, subtle, and complex poetic and thematic effects. The move is situated within Roman poets’ wider practice of springing surprises, twists, and tricks on readers, including Horace’s own use of false closure and shifts of direction. The process of misreading, correcting, and re-reading, always coloured by the initial misreading, forces the reader to reflect on her interpretation of each ode and on the relationships, continuity, and discontinuity, between them, as well as on the very act of reading. The cases of Carm. 1.14–15 and 1.23–24 are examined in detail, and an explanation given for the absence of the trick at 1.5–6 and 4.12–13.
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spelling doaj.art-cfbb43e50835438b867a8472ae87efc22024-01-09T16:51:30ZdeuUniversité Lille-3Dictynna1969-42021765-31422023-12-012010.4000/dictynna.3539A cruel and pointless trick? False non-closure in Horace’s OdesRobert CowanSome scholars argue that only a change of metre signals the beginning of a new poem in Horace’s Odes. Woodman has objected that, if this were the case, the juxtaposition of poems in the third and second asclepiadic metres, which begin with the same two metrical lines, would mislead the reader into thinking that a poem was continuing, only to realize belatedly at the third line that a new poem had begun, ‘a cruel and pointless trick’. This article explores the positive potential of such a trick, which I term false non-closure, to produce pointed, subtle, and complex poetic and thematic effects. The move is situated within Roman poets’ wider practice of springing surprises, twists, and tricks on readers, including Horace’s own use of false closure and shifts of direction. The process of misreading, correcting, and re-reading, always coloured by the initial misreading, forces the reader to reflect on her interpretation of each ode and on the relationships, continuity, and discontinuity, between them, as well as on the very act of reading. The cases of Carm. 1.14–15 and 1.23–24 are examined in detail, and an explanation given for the absence of the trick at 1.5–6 and 4.12–13.http://journals.openedition.org/dictynna/3539HoraceOdeslyricmetrereader-responseclosure
spellingShingle Robert Cowan
A cruel and pointless trick? False non-closure in Horace’s Odes
Dictynna
Horace
Odes
lyric
metre
reader-response
closure
title A cruel and pointless trick? False non-closure in Horace’s Odes
title_full A cruel and pointless trick? False non-closure in Horace’s Odes
title_fullStr A cruel and pointless trick? False non-closure in Horace’s Odes
title_full_unstemmed A cruel and pointless trick? False non-closure in Horace’s Odes
title_short A cruel and pointless trick? False non-closure in Horace’s Odes
title_sort cruel and pointless trick false non closure in horace s odes
topic Horace
Odes
lyric
metre
reader-response
closure
url http://journals.openedition.org/dictynna/3539
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