The reception of <i>Ressurreição</i>

This paper focus on the reception of Ressurreição, Machado de Assis’s first novel, by examining “O Ideal do Crítico”, and highlighting how contemporary readers understood Machado de Assis’s first prose of fiction. It is also considered that Ressurreição (1872) is published ten years after the public...

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Main Authors: Vagner Leite Rangel, Maria Cristina Cardoso Ribas
Format: Article
Language:Portuguese
Published: Universidade Federal Fluminense 2017-08-01
Series:Gragoatá
Subjects:
Online Access:http://www.gragoata.uff.br/index.php/gragoata/article/view/758
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author Vagner Leite Rangel
Maria Cristina Cardoso Ribas
author_facet Vagner Leite Rangel
Maria Cristina Cardoso Ribas
author_sort Vagner Leite Rangel
collection DOAJ
description This paper focus on the reception of Ressurreição, Machado de Assis’s first novel, by examining “O Ideal do Crítico”, and highlighting how contemporary readers understood Machado de Assis’s first prose of fiction. It is also considered that Ressurreição (1872) is published ten years after the publication of his Teatro (1863), which was considered to be inappropriate, because it was not seen as an engaged piece. So, Machado’s next work of art would be engaged with the classical idea that the work of art is also a moral one, in which pleasure and moral lessons should go together. This idea will be clear by the end of the paper, as the readers will be able to follow it. --- DOI: http://dx.doi.org/10.22409/gragoata.2017n43a758.
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spelling doaj.art-cfd88ed655df46b3876cfc3c76fbef142022-12-22T00:50:01ZporUniversidade Federal FluminenseGragoatá1413-90732358-41142017-08-01224369672610.22409/gragoata.2017n43a758545The reception of <i>Ressurreição</i>Vagner Leite Rangel0Maria Cristina Cardoso Ribas1Universidade do Estado do Rio de Janeiro e Professor da Secretário de Educação do Estado do Rio de JaneiroCoordenadora de Articulação e Difusão Científica no Departamento de Extensão da UERJ, Professora Associada (DE), Procientista UERJ/FAPERJ e integrante do corpo docente da Pós-Graduação stricto sensu do Instituto de Letras da UERJ.This paper focus on the reception of Ressurreição, Machado de Assis’s first novel, by examining “O Ideal do Crítico”, and highlighting how contemporary readers understood Machado de Assis’s first prose of fiction. It is also considered that Ressurreição (1872) is published ten years after the publication of his Teatro (1863), which was considered to be inappropriate, because it was not seen as an engaged piece. So, Machado’s next work of art would be engaged with the classical idea that the work of art is also a moral one, in which pleasure and moral lessons should go together. This idea will be clear by the end of the paper, as the readers will be able to follow it. --- DOI: http://dx.doi.org/10.22409/gragoata.2017n43a758.http://www.gragoata.uff.br/index.php/gragoata/article/view/758Romantismo. Literatura brasileira. Romance. Machado de Assis. Ressurreição.
spellingShingle Vagner Leite Rangel
Maria Cristina Cardoso Ribas
The reception of <i>Ressurreição</i>
Gragoatá
Romantismo. Literatura brasileira. Romance. Machado de Assis. Ressurreição.
title The reception of <i>Ressurreição</i>
title_full The reception of <i>Ressurreição</i>
title_fullStr The reception of <i>Ressurreição</i>
title_full_unstemmed The reception of <i>Ressurreição</i>
title_short The reception of <i>Ressurreição</i>
title_sort reception of i ressurreicao i
topic Romantismo. Literatura brasileira. Romance. Machado de Assis. Ressurreição.
url http://www.gragoata.uff.br/index.php/gragoata/article/view/758
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