Igino Benvenuto Supino's role in knowledge, protection and enhancement of Italian artistic heritage

Igino Benvenuto Supino belongs to the small group of art historians and scientists which realized, in the end of XIX century, that the photography (understood as workshop, opportunity to a personal examination) might be able to help the knowledge about artistic heritage and contribute to the growth...

Full description

Bibliographic Details
Main Author: Marinella Pigozzi
Format: Article
Language:Italian
Published: University of Bologna 2018-10-01
Series:Intrecci d'arte
Subjects:
Online Access:https://intreccidarte.unibo.it/article/view/8603
_version_ 1818326823294992384
author Marinella Pigozzi
author_facet Marinella Pigozzi
author_sort Marinella Pigozzi
collection DOAJ
description Igino Benvenuto Supino belongs to the small group of art historians and scientists which realized, in the end of XIX century, that the photography (understood as workshop, opportunity to a personal examination) might be able to help the knowledge about artistic heritage and contribute to the growth of Art History, a newbirth subject, and involvement related in research, educational and renovation. Supino made full use of new technique for impression of images both photographing in person and directing of Bargello, and making numerous publications, and using it as visual aid during the teaching of Art History in University of Bologna in 1907.
first_indexed 2024-12-13T12:06:30Z
format Article
id doaj.art-cfe57dfa7ae24969ba8b742d38204695
institution Directory Open Access Journal
issn 2240-7251
language Italian
last_indexed 2024-12-13T12:06:30Z
publishDate 2018-10-01
publisher University of Bologna
record_format Article
series Intrecci d'arte
spelling doaj.art-cfe57dfa7ae24969ba8b742d382046952022-12-21T23:46:57ZitaUniversity of BolognaIntrecci d'arte2240-72512018-10-017431010.6092/issn.2240-7251/86037494Igino Benvenuto Supino's role in knowledge, protection and enhancement of Italian artistic heritageMarinella Pigozzi0Università di BolognaIgino Benvenuto Supino belongs to the small group of art historians and scientists which realized, in the end of XIX century, that the photography (understood as workshop, opportunity to a personal examination) might be able to help the knowledge about artistic heritage and contribute to the growth of Art History, a newbirth subject, and involvement related in research, educational and renovation. Supino made full use of new technique for impression of images both photographing in person and directing of Bargello, and making numerous publications, and using it as visual aid during the teaching of Art History in University of Bologna in 1907.https://intreccidarte.unibo.it/article/view/8603Igino Benvenuto SupinoFotografiaPisaMuseo Nazionale del BargelloFirenzeBolognaStoria dell’arteRiviste d’arte
spellingShingle Marinella Pigozzi
Igino Benvenuto Supino's role in knowledge, protection and enhancement of Italian artistic heritage
Intrecci d'arte
Igino Benvenuto Supino
Fotografia
Pisa
Museo Nazionale del Bargello
Firenze
Bologna
Storia dell’arte
Riviste d’arte
title Igino Benvenuto Supino's role in knowledge, protection and enhancement of Italian artistic heritage
title_full Igino Benvenuto Supino's role in knowledge, protection and enhancement of Italian artistic heritage
title_fullStr Igino Benvenuto Supino's role in knowledge, protection and enhancement of Italian artistic heritage
title_full_unstemmed Igino Benvenuto Supino's role in knowledge, protection and enhancement of Italian artistic heritage
title_short Igino Benvenuto Supino's role in knowledge, protection and enhancement of Italian artistic heritage
title_sort igino benvenuto supino s role in knowledge protection and enhancement of italian artistic heritage
topic Igino Benvenuto Supino
Fotografia
Pisa
Museo Nazionale del Bargello
Firenze
Bologna
Storia dell’arte
Riviste d’arte
url https://intreccidarte.unibo.it/article/view/8603
work_keys_str_mv AT marinellapigozzi iginobenvenutosupinosroleinknowledgeprotectionandenhancementofitalianartisticheritage