Fake and fan film trailers as incarnations of audience anticipation and desire

In the lead-up to the release of some feature films, fake and fan trailers are created by users and uploaded to YouTube and other Web sites. These trailers demonstrate that users are literate not only in the form of the trailer itself, but also in the Hollywood system and how it markets products to...

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Bibliographic Details
Main Author: Kathleen Amy Williams
Format: Article
Language:English
Published: Organization for Transformative Works 2012-03-01
Series:Transformative Works and Cultures
Subjects:
Online Access:http://journal.transformativeworks.org/index.php/twc/article/view/360/284
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author Kathleen Amy Williams
author_facet Kathleen Amy Williams
author_sort Kathleen Amy Williams
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description In the lead-up to the release of some feature films, fake and fan trailers are created by users and uploaded to YouTube and other Web sites. These trailers demonstrate that users are literate not only in the form of the trailer itself, but also in the Hollywood system and how it markets products to audiences. Circulating in a networked environment online, these texts, which play with the form of the trailer, perform and embody users' and fans' desire to see not just the feature film but also the official trailer itself. I discuss these fake and fan trailers in relation to cinematic anticipation and describe how they navigate both spatial and temporal bounds. Using the architectural concept of the desire line, I argue that spatial frameworks can be usefully employed to consider how users navigate online spaces, media, and concepts through the form of the trailer.
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spelling doaj.art-d015ed7b9fc64969a35aaa10f521604f2022-12-21T20:04:35ZengOrganization for Transformative WorksTransformative Works and Cultures1941-22581941-22582012-03-01910.3983/twc.2012.0360Fake and fan film trailers as incarnations of audience anticipation and desireKathleen Amy Williams0University of New South Wales, Sydney, AustraliaIn the lead-up to the release of some feature films, fake and fan trailers are created by users and uploaded to YouTube and other Web sites. These trailers demonstrate that users are literate not only in the form of the trailer itself, but also in the Hollywood system and how it markets products to audiences. Circulating in a networked environment online, these texts, which play with the form of the trailer, perform and embody users' and fans' desire to see not just the feature film but also the official trailer itself. I discuss these fake and fan trailers in relation to cinematic anticipation and describe how they navigate both spatial and temporal bounds. Using the architectural concept of the desire line, I argue that spatial frameworks can be usefully employed to consider how users navigate online spaces, media, and concepts through the form of the trailer.http://journal.transformativeworks.org/index.php/twc/article/view/360/284FilmFilm advertisingMashup
spellingShingle Kathleen Amy Williams
Fake and fan film trailers as incarnations of audience anticipation and desire
Transformative Works and Cultures
Film
Film advertising
Mashup
title Fake and fan film trailers as incarnations of audience anticipation and desire
title_full Fake and fan film trailers as incarnations of audience anticipation and desire
title_fullStr Fake and fan film trailers as incarnations of audience anticipation and desire
title_full_unstemmed Fake and fan film trailers as incarnations of audience anticipation and desire
title_short Fake and fan film trailers as incarnations of audience anticipation and desire
title_sort fake and fan film trailers as incarnations of audience anticipation and desire
topic Film
Film advertising
Mashup
url http://journal.transformativeworks.org/index.php/twc/article/view/360/284
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