Of Fine Arts and Fine Feelings: Mapping Affect across Lessing's Laocoön, Lord Carteret's Quijote, and Oldfield's "Advertencias"

This article studies how the painting-versus-poetry debate and tradition of ut pictura poesis may enhance our understanding of affect in arts and culture.  Through a close reading of a brief theoretical text by John Oldfield, included in an eighteenth-century British edition of Cervantes’s Don Quijo...

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Main Author: Paul Michael Johnson
Format: Article
Language:Catalan
Published: Asociación Cultural 452ºF; Universitat de Barcelona 2016-01-01
Series:452ºF
Subjects:
Online Access:https://revistes.ub.edu/index.php/452f/article/view/14148
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author Paul Michael Johnson
author_facet Paul Michael Johnson
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description This article studies how the painting-versus-poetry debate and tradition of ut pictura poesis may enhance our understanding of affect in arts and culture.  Through a close reading of a brief theoretical text by John Oldfield, included in an eighteenth-century British edition of Cervantes’s Don Quijote, it demonstrates that trans-generic crossings such as that of book illustration offer insights beyond the limitations of Lessing’s more famous Laocoön.  At the same time, Oldfield’s text and the edition’s illustrations collectively produce an innovative reading of Cervantes’s novel through the lens of affect.
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spelling doaj.art-d023063d850f47da8902f3f0fa8c17752022-12-21T20:10:55ZcatAsociación Cultural 452ºF; Universitat de Barcelona452ºF2013-32942016-01-011413772Of Fine Arts and Fine Feelings: Mapping Affect across Lessing's Laocoön, Lord Carteret's Quijote, and Oldfield's "Advertencias"Paul Michael Johnson0DePauw UniversityThis article studies how the painting-versus-poetry debate and tradition of ut pictura poesis may enhance our understanding of affect in arts and culture.  Through a close reading of a brief theoretical text by John Oldfield, included in an eighteenth-century British edition of Cervantes’s Don Quijote, it demonstrates that trans-generic crossings such as that of book illustration offer insights beyond the limitations of Lessing’s more famous Laocoön.  At the same time, Oldfield’s text and the edition’s illustrations collectively produce an innovative reading of Cervantes’s novel through the lens of affect.https://revistes.ub.edu/index.php/452f/article/view/14148AffectEmotionut pictura poesisImage vs. textBook IllustrationDon Quijote
spellingShingle Paul Michael Johnson
Of Fine Arts and Fine Feelings: Mapping Affect across Lessing's Laocoön, Lord Carteret's Quijote, and Oldfield's "Advertencias"
452ºF
Affect
Emotion
ut pictura poesis
Image vs. text
Book Illustration
Don Quijote
title Of Fine Arts and Fine Feelings: Mapping Affect across Lessing's Laocoön, Lord Carteret's Quijote, and Oldfield's "Advertencias"
title_full Of Fine Arts and Fine Feelings: Mapping Affect across Lessing's Laocoön, Lord Carteret's Quijote, and Oldfield's "Advertencias"
title_fullStr Of Fine Arts and Fine Feelings: Mapping Affect across Lessing's Laocoön, Lord Carteret's Quijote, and Oldfield's "Advertencias"
title_full_unstemmed Of Fine Arts and Fine Feelings: Mapping Affect across Lessing's Laocoön, Lord Carteret's Quijote, and Oldfield's "Advertencias"
title_short Of Fine Arts and Fine Feelings: Mapping Affect across Lessing's Laocoön, Lord Carteret's Quijote, and Oldfield's "Advertencias"
title_sort of fine arts and fine feelings mapping affect across lessing s laocoon lord carteret s quijote and oldfield s advertencias
topic Affect
Emotion
ut pictura poesis
Image vs. text
Book Illustration
Don Quijote
url https://revistes.ub.edu/index.php/452f/article/view/14148
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