Hip-hop, identity, and conflict: Practices and transformations of a metropolitan culture
In this paper, I expose how it is possible to investigate the hip-hop culture on three levels of analysis—historical, semiotic, and phenomenological—precisely as theorized by Cohen (1997) for his study on modern subcultures. The analysis will focus on the hip-hop of the beginning, since the middle o...
Main Author: | Luca Benvenga |
---|---|
Format: | Article |
Language: | English |
Published: |
Frontiers Media S.A.
2022-09-01
|
Series: | Frontiers in Sociology |
Subjects: | |
Online Access: | https://www.frontiersin.org/articles/10.3389/fsoc.2022.993574/full |
Similar Items
-
Hip-hop from dancers’ viewpoint: Dance, lifestyle, and/or subculture?
by: Snežana Damjanović, et al.
Published: (2022-12-01) -
Quando as ruas abrigam a arte: a cena hip hop no Recife (1980-2014)
by: Cristiano Nunes Alves -
Global linguistic flows : hip hop cultures, youth identities, and the politics of language /
by: Alim, H. Samy, et al.
Published: (2009) -
Dirty South Feminism: The Girlies Got Somethin’ to Say Too! Southern Hip-Hop Women, Fighting Respectability, Talking Mess, and Twerking Up the Dirty South
by: Adeerya Johnson
Published: (2021-11-01) -
Groove Music: The Art and Culture of the Hip-Hop DJ (Mark Katz)
by: Murray Forman
Published: (2012-11-01)