Image: from the cinema to the performance

In the scope of a research on the body arts, the text approaches the issue of image representation in face of corporeal forces. With Deleuze’s philosophical studies on cinema, we bring his image taxonomy, which passes from a movement-image to a time-image, and we also consider theater to analyze ho...

Full description

Bibliographic Details
Main Authors: Carina Sehn, Paola Zordan (Federal University of Rio Grande do Sul, Porto Alegre /RS, Brazil)
Format: Article
Language:English
Published: Universidade Federal do Rio Grande do Sul 2014-07-01
Series:Revista Brasileira de Estudos da Presença
Subjects:
Online Access:https://seer.ufrgs.br/index.php/presenca/article/view/49044
_version_ 1811265462667837440
author Carina Sehn
Paola Zordan (Federal University of Rio Grande do Sul, Porto Alegre /RS, Brazil)
author_facet Carina Sehn
Paola Zordan (Federal University of Rio Grande do Sul, Porto Alegre /RS, Brazil)
author_sort Carina Sehn
collection DOAJ
description In the scope of a research on the body arts, the text approaches the issue of image representation in face of corporeal forces. With Deleuze’s philosophical studies on cinema, we bring his image taxonomy, which passes from a movement-image to a time-image, and we also consider theater to analyze how an image is launched from a stratified and moralizing representation to a performative and resonating image. The work of contemporary artists allows and makes us think an image in its relation with the new, with what is impossible to restrain, with images produced by the art of performance, by a body which creates images successively.
first_indexed 2024-04-12T20:23:07Z
format Article
id doaj.art-d0774ddb906941198c3deb04a575f8f2
institution Directory Open Access Journal
issn 2237-2660
language English
last_indexed 2024-04-12T20:23:07Z
publishDate 2014-07-01
publisher Universidade Federal do Rio Grande do Sul
record_format Article
series Revista Brasileira de Estudos da Presença
spelling doaj.art-d0774ddb906941198c3deb04a575f8f22022-12-22T03:17:56ZengUniversidade Federal do Rio Grande do SulRevista Brasileira de Estudos da Presença2237-26602014-07-0143Image: from the cinema to the performanceCarina SehnPaola Zordan (Federal University of Rio Grande do Sul, Porto Alegre /RS, Brazil) In the scope of a research on the body arts, the text approaches the issue of image representation in face of corporeal forces. With Deleuze’s philosophical studies on cinema, we bring his image taxonomy, which passes from a movement-image to a time-image, and we also consider theater to analyze how an image is launched from a stratified and moralizing representation to a performative and resonating image. The work of contemporary artists allows and makes us think an image in its relation with the new, with what is impossible to restrain, with images produced by the art of performance, by a body which creates images successively. https://seer.ufrgs.br/index.php/presenca/article/view/49044PerformanceImageBodyCinemaRepresentation
spellingShingle Carina Sehn
Paola Zordan (Federal University of Rio Grande do Sul, Porto Alegre /RS, Brazil)
Image: from the cinema to the performance
Revista Brasileira de Estudos da Presença
Performance
Image
Body
Cinema
Representation
title Image: from the cinema to the performance
title_full Image: from the cinema to the performance
title_fullStr Image: from the cinema to the performance
title_full_unstemmed Image: from the cinema to the performance
title_short Image: from the cinema to the performance
title_sort image from the cinema to the performance
topic Performance
Image
Body
Cinema
Representation
url https://seer.ufrgs.br/index.php/presenca/article/view/49044
work_keys_str_mv AT carinasehn imagefromthecinematotheperformance
AT paolazordanfederaluniversityofriograndedosulportoalegrersbrazil imagefromthecinematotheperformance