Beyond triviality barriers: the transcendent poetics of play in Feng Zikai’s manhua legacy

Abstract Despite the socio-political upheavals that marked twentieth-century China, Feng Zikai (豐子愷,1898–1975), a Chinese artist and writer, invariably figures his art forms with child subjects in ways that encapsulate a childhood idyll reminiscent of the ancient genre of painting children at play....

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Main Author: Chengcheng You
Format: Article
Language:English
Published: Springer Nature 2023-12-01
Series:Humanities & Social Sciences Communications
Online Access:https://doi.org/10.1057/s41599-023-02480-6
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author Chengcheng You
author_facet Chengcheng You
author_sort Chengcheng You
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description Abstract Despite the socio-political upheavals that marked twentieth-century China, Feng Zikai (豐子愷,1898–1975), a Chinese artist and writer, invariably figures his art forms with child subjects in ways that encapsulate a childhood idyll reminiscent of the ancient genre of painting children at play. Drawing from Feng’s manhua anthology, this study delves into the multimodal representations of children’s play to uncover the intertwined social, aesthetic, and ethical discourses within the context of modern China. It posits that Feng’s manhua legacy embodies a transcendent poetics of play by integrating the elemental functions and indigenous aesthetics of play. Three aspects of transcendence arise from the paradoxical nature of play, Feng’s compassionate outlook, and the imaginative materialisation of cultural heritage along with its contemporary relevance, illuminating the interplay between Feng’s artistic journey and the constantly evolving socio-political context in which it unfolds.
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spelling doaj.art-d0a57ccc77e840c3bbd0e20c694c11bc2023-12-24T12:12:20ZengSpringer NatureHumanities & Social Sciences Communications2662-99922023-12-0110111010.1057/s41599-023-02480-6Beyond triviality barriers: the transcendent poetics of play in Feng Zikai’s manhua legacyChengcheng You0University of MacauAbstract Despite the socio-political upheavals that marked twentieth-century China, Feng Zikai (豐子愷,1898–1975), a Chinese artist and writer, invariably figures his art forms with child subjects in ways that encapsulate a childhood idyll reminiscent of the ancient genre of painting children at play. Drawing from Feng’s manhua anthology, this study delves into the multimodal representations of children’s play to uncover the intertwined social, aesthetic, and ethical discourses within the context of modern China. It posits that Feng’s manhua legacy embodies a transcendent poetics of play by integrating the elemental functions and indigenous aesthetics of play. Three aspects of transcendence arise from the paradoxical nature of play, Feng’s compassionate outlook, and the imaginative materialisation of cultural heritage along with its contemporary relevance, illuminating the interplay between Feng’s artistic journey and the constantly evolving socio-political context in which it unfolds.https://doi.org/10.1057/s41599-023-02480-6
spellingShingle Chengcheng You
Beyond triviality barriers: the transcendent poetics of play in Feng Zikai’s manhua legacy
Humanities & Social Sciences Communications
title Beyond triviality barriers: the transcendent poetics of play in Feng Zikai’s manhua legacy
title_full Beyond triviality barriers: the transcendent poetics of play in Feng Zikai’s manhua legacy
title_fullStr Beyond triviality barriers: the transcendent poetics of play in Feng Zikai’s manhua legacy
title_full_unstemmed Beyond triviality barriers: the transcendent poetics of play in Feng Zikai’s manhua legacy
title_short Beyond triviality barriers: the transcendent poetics of play in Feng Zikai’s manhua legacy
title_sort beyond triviality barriers the transcendent poetics of play in feng zikai s manhua legacy
url https://doi.org/10.1057/s41599-023-02480-6
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