Representaciones musicales de lo francés en tonadillas dieciochescas
The chief object of this article is to discover what musical tools tonadilla composers in the second half of the 18th century might have used to represent French characters or characters associated with France, and generally the concept of Frenchness. It seeks to show a variety of dramatic/musical r...
| Main Author: | |
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| Format: | Article |
| Language: | Spanish |
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Casa de Velázquez
2016-04-01
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| Series: | Mélanges de la Casa de Velázquez |
| Subjects: | |
| Online Access: | https://journals.openedition.org/mcv/6937 |
| _version_ | 1826943785351774208 |
|---|---|
| author | Aurèlia Pessarrodona |
| author_facet | Aurèlia Pessarrodona |
| author_sort | Aurèlia Pessarrodona |
| collection | DOAJ |
| description | The chief object of this article is to discover what musical tools tonadilla composers in the second half of the 18th century might have used to represent French characters or characters associated with France, and generally the concept of Frenchness. It seeks to show a variety of dramatic/musical resources associated with the communicative power of music in the 18th century (especially topoi from ballet and dance music, and musical styles, forms and gestures) which go to make up a broad spectrum of Frenchness, a putative musical Francophony which did not necessarily have to be realistic but did have to be effective in the particular context of short comic plays. |
| first_indexed | 2024-03-09T02:23:53Z |
| format | Article |
| id | doaj.art-d0b1f103f01b454abbcb5a94717256f9 |
| institution | Directory Open Access Journal |
| issn | 0076-230X 2173-1306 |
| language | Spanish |
| last_indexed | 2025-02-17T20:26:07Z |
| publishDate | 2016-04-01 |
| publisher | Casa de Velázquez |
| record_format | Article |
| series | Mélanges de la Casa de Velázquez |
| spelling | doaj.art-d0b1f103f01b454abbcb5a94717256f92024-12-09T11:33:47ZspaCasa de VelázquezMélanges de la Casa de Velázquez0076-230X2173-13062016-04-0146116719310.4000/mcv.6937Representaciones musicales de lo francés en tonadillas dieciochescasAurèlia PessarrodonaThe chief object of this article is to discover what musical tools tonadilla composers in the second half of the 18th century might have used to represent French characters or characters associated with France, and generally the concept of Frenchness. It seeks to show a variety of dramatic/musical resources associated with the communicative power of music in the 18th century (especially topoi from ballet and dance music, and musical styles, forms and gestures) which go to make up a broad spectrum of Frenchness, a putative musical Francophony which did not necessarily have to be realistic but did have to be effective in the particular context of short comic plays.https://journals.openedition.org/mcv/6937France18th centurymusical playsmusical semioticstonadillaValledor |
| spellingShingle | Aurèlia Pessarrodona Representaciones musicales de lo francés en tonadillas dieciochescas Mélanges de la Casa de Velázquez France 18th century musical plays musical semiotics tonadilla Valledor |
| title | Representaciones musicales de lo francés en tonadillas dieciochescas |
| title_full | Representaciones musicales de lo francés en tonadillas dieciochescas |
| title_fullStr | Representaciones musicales de lo francés en tonadillas dieciochescas |
| title_full_unstemmed | Representaciones musicales de lo francés en tonadillas dieciochescas |
| title_short | Representaciones musicales de lo francés en tonadillas dieciochescas |
| title_sort | representaciones musicales de lo frances en tonadillas dieciochescas |
| topic | France 18th century musical plays musical semiotics tonadilla Valledor |
| url | https://journals.openedition.org/mcv/6937 |
| work_keys_str_mv | AT aureliapessarrodona representacionesmusicalesdelofrancesentonadillasdieciochescas |