Speaking Muslim Subaltern through the Ethical Agent in Shakespeare and the Holy Quran
William Shakespeare, the English bard of Avon, inaugurates a Feminist approach in Love’s labour’s Lost which is comparable with the Holy Quran’s mandate and Hadith. He reminisces Muslim association through deeply-seated words of the Elizabethan era including Ethiop, black, moors, Africans and so on...
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Format: | Article |
Language: | English |
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University of Kurdistan
2021-03-01
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Series: | Critical Literary Studies |
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Online Access: | https://cls.uok.ac.ir/article_61721.html |
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author | Fahimeh Khalili teilami Jalal Sokhanvar |
author_facet | Fahimeh Khalili teilami Jalal Sokhanvar |
author_sort | Fahimeh Khalili teilami |
collection | DOAJ |
description | William Shakespeare, the English bard of Avon, inaugurates a Feminist approach in Love’s labour’s Lost which is comparable with the Holy Quran’s mandate and Hadith. He reminisces Muslim association through deeply-seated words of the Elizabethan era including Ethiop, black, moors, Africans and so on in order to signify in his work the Islamic concern for the Muslim women in terms of respect, love, and revival of rights. Riffat Hassan’s theology of honor killing and progressive Islam could be argued to be in thematic affinity with Gayatri Spivak’s concepts of ethical responsibility of the agents and subalterns. The area of concern in Shakespeare’s encompasses men’s sanction in shunning women, intellectual men vs. slave, black and inferior women, and love, marriage and infatuation with women. This is in line with Quranic principles namely poor Muslim lifestyle vs. the affluent pagan hegemony, Muslim’s faith, migration to from Ommat, reception by the hegemonic pagans, Muslims’ conquests and Islamic enhancement. The area of concern in Shakespeare’s play includes men’s sanction in shunning women, intellectual men versus the black and inferior women, love, marriage, and infatuation with women. This approach is in line with the life style of the poor Muslims as opposed to the affluent pagan hegemony, and includes faith, migration, and toleration for the sake of Muslims’ conquests. |
first_indexed | 2024-12-18T10:44:13Z |
format | Article |
id | doaj.art-d0cb6baf902542589cd649f8c421d571 |
institution | Directory Open Access Journal |
issn | 2676-699X 2716-9928 |
language | English |
last_indexed | 2024-12-18T10:44:13Z |
publishDate | 2021-03-01 |
publisher | University of Kurdistan |
record_format | Article |
series | Critical Literary Studies |
spelling | doaj.art-d0cb6baf902542589cd649f8c421d5712022-12-21T21:10:34ZengUniversity of KurdistanCritical Literary Studies2676-699X2716-99282021-03-013112514010.34785/J014.2021.914Speaking Muslim Subaltern through the Ethical Agent in Shakespeare and the Holy QuranFahimeh Khalili teilami0Jalal Sokhanvar1Ph.D. Student of English Literature, Faculty of Humanity and Science, Science and Research Branch, Islamic Azad University, Tehran, IranProfessor of English Literature, Shahid Beheshti University, Tehran, IranWilliam Shakespeare, the English bard of Avon, inaugurates a Feminist approach in Love’s labour’s Lost which is comparable with the Holy Quran’s mandate and Hadith. He reminisces Muslim association through deeply-seated words of the Elizabethan era including Ethiop, black, moors, Africans and so on in order to signify in his work the Islamic concern for the Muslim women in terms of respect, love, and revival of rights. Riffat Hassan’s theology of honor killing and progressive Islam could be argued to be in thematic affinity with Gayatri Spivak’s concepts of ethical responsibility of the agents and subalterns. The area of concern in Shakespeare’s encompasses men’s sanction in shunning women, intellectual men vs. slave, black and inferior women, and love, marriage and infatuation with women. This is in line with Quranic principles namely poor Muslim lifestyle vs. the affluent pagan hegemony, Muslim’s faith, migration to from Ommat, reception by the hegemonic pagans, Muslims’ conquests and Islamic enhancement. The area of concern in Shakespeare’s play includes men’s sanction in shunning women, intellectual men versus the black and inferior women, love, marriage, and infatuation with women. This approach is in line with the life style of the poor Muslims as opposed to the affluent pagan hegemony, and includes faith, migration, and toleration for the sake of Muslims’ conquests.https://cls.uok.ac.ir/article_61721.htmlislamic feminismethical responsibilityagentmuslimspeaking subalternlimited access |
spellingShingle | Fahimeh Khalili teilami Jalal Sokhanvar Speaking Muslim Subaltern through the Ethical Agent in Shakespeare and the Holy Quran Critical Literary Studies islamic feminism ethical responsibility agent muslim speaking subaltern limited access |
title | Speaking Muslim Subaltern through the Ethical Agent in Shakespeare and the Holy Quran |
title_full | Speaking Muslim Subaltern through the Ethical Agent in Shakespeare and the Holy Quran |
title_fullStr | Speaking Muslim Subaltern through the Ethical Agent in Shakespeare and the Holy Quran |
title_full_unstemmed | Speaking Muslim Subaltern through the Ethical Agent in Shakespeare and the Holy Quran |
title_short | Speaking Muslim Subaltern through the Ethical Agent in Shakespeare and the Holy Quran |
title_sort | speaking muslim subaltern through the ethical agent in shakespeare and the holy quran |
topic | islamic feminism ethical responsibility agent muslim speaking subaltern limited access |
url | https://cls.uok.ac.ir/article_61721.html |
work_keys_str_mv | AT fahimehkhaliliteilami speakingmuslimsubalternthroughtheethicalagentinshakespeareandtheholyquran AT jalalsokhanvar speakingmuslimsubalternthroughtheethicalagentinshakespeareandtheholyquran |