Jorge Oteiza and Mariano Garrigues at INIA (1951-57): a crossroads of two modernities

The fruitful decade of the nineteen-fifties, although a widely studied period, harbours unexpected eventualities, such as the confluence of a resolutely experimental sculptor and an architect of a more possibilistic nature. The circumstances surrounding the encounter and revelation of this joint wor...

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Main Authors: Carlos Labarta Aizpún, Eduardo Delgado Orusco
Format: Article
Language:English
Published: Universidad Politécnica de Valencia 2019-10-01
Series:VLC Arquitectura
Subjects:
Online Access:https://polipapers.upv.es/index.php/VLC/article/view/10965
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author Carlos Labarta Aizpún
Eduardo Delgado Orusco
author_facet Carlos Labarta Aizpún
Eduardo Delgado Orusco
author_sort Carlos Labarta Aizpún
collection DOAJ
description The fruitful decade of the nineteen-fifties, although a widely studied period, harbours unexpected eventualities, such as the confluence of a resolutely experimental sculptor and an architect of a more possibilistic nature. The circumstances surrounding the encounter and revelation of this joint work, very rarely mentioned in the corresponding literature, can be seen as an event that contributes to verifying, once again, the multi-faceted soul of the modern movement in Spain, whose fruitfulness was a result of its inherent hybridity, strengthened by the challenge of creating any classification. In this case, it is concluded that Oteiza’s piece, the result of his investigation into the spatial implications of the wall, is juxtaposed against the building by Garrigues without achieving a real dialogue with the incipient modernism in the architecture of the institute.
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spelling doaj.art-d101104757c9466da0391867489fc9ea2022-12-21T18:41:19ZengUniversidad Politécnica de ValenciaVLC Arquitectura2341-30502341-27472019-10-016212114610.4995/vlc.2019.109657823Jorge Oteiza and Mariano Garrigues at INIA (1951-57): a crossroads of two modernitiesCarlos Labarta Aizpún0Eduardo Delgado Orusco1Universidad de ZaragozaUniversidad de ZaragozaThe fruitful decade of the nineteen-fifties, although a widely studied period, harbours unexpected eventualities, such as the confluence of a resolutely experimental sculptor and an architect of a more possibilistic nature. The circumstances surrounding the encounter and revelation of this joint work, very rarely mentioned in the corresponding literature, can be seen as an event that contributes to verifying, once again, the multi-faceted soul of the modern movement in Spain, whose fruitfulness was a result of its inherent hybridity, strengthened by the challenge of creating any classification. In this case, it is concluded that Oteiza’s piece, the result of his investigation into the spatial implications of the wall, is juxtaposed against the building by Garrigues without achieving a real dialogue with the incipient modernism in the architecture of the institute.https://polipapers.upv.es/index.php/VLC/article/view/10965jorge oteizamariano garriguesiniamuralciudad universitaria
spellingShingle Carlos Labarta Aizpún
Eduardo Delgado Orusco
Jorge Oteiza and Mariano Garrigues at INIA (1951-57): a crossroads of two modernities
VLC Arquitectura
jorge oteiza
mariano garrigues
inia
mural
ciudad universitaria
title Jorge Oteiza and Mariano Garrigues at INIA (1951-57): a crossroads of two modernities
title_full Jorge Oteiza and Mariano Garrigues at INIA (1951-57): a crossroads of two modernities
title_fullStr Jorge Oteiza and Mariano Garrigues at INIA (1951-57): a crossroads of two modernities
title_full_unstemmed Jorge Oteiza and Mariano Garrigues at INIA (1951-57): a crossroads of two modernities
title_short Jorge Oteiza and Mariano Garrigues at INIA (1951-57): a crossroads of two modernities
title_sort jorge oteiza and mariano garrigues at inia 1951 57 a crossroads of two modernities
topic jorge oteiza
mariano garrigues
inia
mural
ciudad universitaria
url https://polipapers.upv.es/index.php/VLC/article/view/10965
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