Image, culture visuelle et révolte. Les armes de la discorde et la révolte des Alpujarras (1568-1571)

At a time when the veneration of images became one of the official elements of the Catholic faith from 1563 onwards and a wave of iconoclasts swept across Europe, to what extent did the Morisco revolt in the kingdom of Granada use it as a weapon to refuse forced conversions and reject the power of t...

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Main Author: Alain Hugon
Format: Article
Language:Spanish
Published: Civilisations et Littératures d’Espagne et d’Amérique du Moyen Âge aux Lumières (CLEA) - Paris Sorbonne
Series:E-Spania
Subjects:
Online Access:https://journals.openedition.org/e-spania/39959
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author Alain Hugon
author_facet Alain Hugon
author_sort Alain Hugon
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description At a time when the veneration of images became one of the official elements of the Catholic faith from 1563 onwards and a wave of iconoclasts swept across Europe, to what extent did the Morisco revolt in the kingdom of Granada use it as a weapon to refuse forced conversions and reject the power of the Catholic King? More generally,the visual culture that lies at the heart of the conflict between the two monotheistic religions is one that permeates religious identities and underlines armed affiliations. The sacrificial image of the martyrs endorsed by Baroque Catholicism was used to condemn the revolt and derive an advantage from its crushing..
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publisher Civilisations et Littératures d’Espagne et d’Amérique du Moyen Âge aux Lumières (CLEA) - Paris Sorbonne
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spelling doaj.art-d1ada96cc449403d8669cab43a156be52024-02-13T13:41:16ZspaCivilisations et Littératures d’Espagne et d’Amérique du Moyen Âge aux Lumières (CLEA) - Paris SorbonneE-Spania1951-61693910.4000/e-spania.39959Image, culture visuelle et révolte. Les armes de la discorde et la révolte des Alpujarras (1568-1571)Alain HugonAt a time when the veneration of images became one of the official elements of the Catholic faith from 1563 onwards and a wave of iconoclasts swept across Europe, to what extent did the Morisco revolt in the kingdom of Granada use it as a weapon to refuse forced conversions and reject the power of the Catholic King? More generally,the visual culture that lies at the heart of the conflict between the two monotheistic religions is one that permeates religious identities and underlines armed affiliations. The sacrificial image of the martyrs endorsed by Baroque Catholicism was used to condemn the revolt and derive an advantage from its crushing..https://journals.openedition.org/e-spania/39959imagevisual culturewar of the Alpujarrasmarkersrevoltmorisco
spellingShingle Alain Hugon
Image, culture visuelle et révolte. Les armes de la discorde et la révolte des Alpujarras (1568-1571)
E-Spania
image
visual culture
war of the Alpujarras
markers
revolt
morisco
title Image, culture visuelle et révolte. Les armes de la discorde et la révolte des Alpujarras (1568-1571)
title_full Image, culture visuelle et révolte. Les armes de la discorde et la révolte des Alpujarras (1568-1571)
title_fullStr Image, culture visuelle et révolte. Les armes de la discorde et la révolte des Alpujarras (1568-1571)
title_full_unstemmed Image, culture visuelle et révolte. Les armes de la discorde et la révolte des Alpujarras (1568-1571)
title_short Image, culture visuelle et révolte. Les armes de la discorde et la révolte des Alpujarras (1568-1571)
title_sort image culture visuelle et revolte les armes de la discorde et la revolte des alpujarras 1568 1571
topic image
visual culture
war of the Alpujarras
markers
revolt
morisco
url https://journals.openedition.org/e-spania/39959
work_keys_str_mv AT alainhugon imageculturevisuelleetrevoltelesarmesdeladiscordeetlarevoltedesalpujarras15681571