The shifting iconography of drinking horns in the Western Grassfields, Cameroon

This paper examines the shifting iconography and iconology of the buffalo and cow horn drinking cup in the western Grassfields of Cameroon. It highlights the extraordinary creativity of how cow horn drinking cups have provided young people who were previously denied the opportunity of using objects...

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Main Authors: Mathias Fubah Alubafi, Molemo Ramphalile
Format: Article
Language:English
Published: Taylor & Francis Group 2017-01-01
Series:Cogent Social Sciences
Subjects:
Online Access:http://dx.doi.org/10.1080/23311886.2017.1375598
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author Mathias Fubah Alubafi
Molemo Ramphalile
author_facet Mathias Fubah Alubafi
Molemo Ramphalile
author_sort Mathias Fubah Alubafi
collection DOAJ
description This paper examines the shifting iconography and iconology of the buffalo and cow horn drinking cup in the western Grassfields of Cameroon. It highlights the extraordinary creativity of how cow horn drinking cups have provided young people who were previously denied the opportunity of using objects of status to associate with the new aesthetic practices. By examining the fascination in cow horn drinking cups decorated with Bruce Lee’s facial image, this paper will show that successful youth who acquire such items have become the embodiments of a new iconography and iconology for the western Grassfields. More importantly, the study will demonstrate how these emerging youths, who are neither royals nor elites have reverse to their advantage the traditional iconography and iconology that was typical of the region and that was restricted to royals and elites.
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spelling doaj.art-d1dfe23bb5d34a76a162e757e2db485c2022-12-21T22:21:35ZengTaylor & Francis GroupCogent Social Sciences2331-18862017-01-013110.1080/23311886.2017.13755981375598The shifting iconography of drinking horns in the Western Grassfields, CameroonMathias Fubah Alubafi0Molemo Ramphalile1Human Sciences Research CouncilHuman Sciences Research CouncilThis paper examines the shifting iconography and iconology of the buffalo and cow horn drinking cup in the western Grassfields of Cameroon. It highlights the extraordinary creativity of how cow horn drinking cups have provided young people who were previously denied the opportunity of using objects of status to associate with the new aesthetic practices. By examining the fascination in cow horn drinking cups decorated with Bruce Lee’s facial image, this paper will show that successful youth who acquire such items have become the embodiments of a new iconography and iconology for the western Grassfields. More importantly, the study will demonstrate how these emerging youths, who are neither royals nor elites have reverse to their advantage the traditional iconography and iconology that was typical of the region and that was restricted to royals and elites.http://dx.doi.org/10.1080/23311886.2017.1375598iconographyiconologycameroon grassfieldsbuffalocowbruce lee
spellingShingle Mathias Fubah Alubafi
Molemo Ramphalile
The shifting iconography of drinking horns in the Western Grassfields, Cameroon
Cogent Social Sciences
iconography
iconology
cameroon grassfields
buffalo
cow
bruce lee
title The shifting iconography of drinking horns in the Western Grassfields, Cameroon
title_full The shifting iconography of drinking horns in the Western Grassfields, Cameroon
title_fullStr The shifting iconography of drinking horns in the Western Grassfields, Cameroon
title_full_unstemmed The shifting iconography of drinking horns in the Western Grassfields, Cameroon
title_short The shifting iconography of drinking horns in the Western Grassfields, Cameroon
title_sort shifting iconography of drinking horns in the western grassfields cameroon
topic iconography
iconology
cameroon grassfields
buffalo
cow
bruce lee
url http://dx.doi.org/10.1080/23311886.2017.1375598
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