Gender, Genre, and Succession: Reception of Statius’ Achilleid in Baroque Opera
The paper examines the reception of the Achilleid, an epic fragment by the Flavian poet Statius, in the Baroque opera. The Achilleid weaves unique connections among the issues of gender, succession, and genre, and as such merits an important place in studying the operatic reception of antiquity. Th...
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Format: | Article |
Language: | ell |
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University of Ljubljana Press (Založba Univerze v Ljubljani)
2018-10-01
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Series: | Keria: Studia Latina et Graeca |
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Online Access: | https://journals.uni-lj.si/keria/article/view/8126 |
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author | Kajetan Škraban |
author_facet | Kajetan Škraban |
author_sort | Kajetan Škraban |
collection | DOAJ |
description |
The paper examines the reception of the Achilleid, an epic fragment by the Flavian poet Statius, in the Baroque opera. The Achilleid weaves unique connections among the issues of gender, succession, and genre, and as such merits an important place in studying the operatic reception of antiquity. The elements mentioned above (gender, succession, genre, as well as transvestism etc.) have been significant in establishing the opera as an art form; indeed, in the light of their historical influence some of the operatic works inspired by Statius may be perceived as major, well-nigh constitutive building blocks of the operatic art.
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first_indexed | 2024-04-10T22:00:15Z |
format | Article |
id | doaj.art-d1e8c0ebef36438fb38dfee3a2a06365 |
institution | Directory Open Access Journal |
issn | 1580-0261 2350-4234 |
language | ell |
last_indexed | 2024-04-10T22:00:15Z |
publishDate | 2018-10-01 |
publisher | University of Ljubljana Press (Založba Univerze v Ljubljani) |
record_format | Article |
series | Keria: Studia Latina et Graeca |
spelling | doaj.art-d1e8c0ebef36438fb38dfee3a2a063652023-01-18T09:37:45ZellUniversity of Ljubljana Press (Založba Univerze v Ljubljani)Keria: Studia Latina et Graeca1580-02612350-42342018-10-0120110.4312/keria.20.1.105-129Gender, Genre, and Succession: Reception of Statius’ Achilleid in Baroque OperaKajetan Škraban0University of Ljubljana, Faculty of Arts The paper examines the reception of the Achilleid, an epic fragment by the Flavian poet Statius, in the Baroque opera. The Achilleid weaves unique connections among the issues of gender, succession, and genre, and as such merits an important place in studying the operatic reception of antiquity. The elements mentioned above (gender, succession, genre, as well as transvestism etc.) have been significant in establishing the opera as an art form; indeed, in the light of their historical influence some of the operatic works inspired by Statius may be perceived as major, well-nigh constitutive building blocks of the operatic art. https://journals.uni-lj.si/keria/article/view/8126reception of the Achilleid |
spellingShingle | Kajetan Škraban Gender, Genre, and Succession: Reception of Statius’ Achilleid in Baroque Opera Keria: Studia Latina et Graeca reception of the Achilleid |
title | Gender, Genre, and Succession: Reception of Statius’ Achilleid in Baroque Opera |
title_full | Gender, Genre, and Succession: Reception of Statius’ Achilleid in Baroque Opera |
title_fullStr | Gender, Genre, and Succession: Reception of Statius’ Achilleid in Baroque Opera |
title_full_unstemmed | Gender, Genre, and Succession: Reception of Statius’ Achilleid in Baroque Opera |
title_short | Gender, Genre, and Succession: Reception of Statius’ Achilleid in Baroque Opera |
title_sort | gender genre and succession reception of statius achilleid in baroque opera |
topic | reception of the Achilleid |
url | https://journals.uni-lj.si/keria/article/view/8126 |
work_keys_str_mv | AT kajetanskraban gendergenreandsuccessionreceptionofstatiusachilleidinbaroqueopera |