Gender, Genre, and Succession: Reception of Statius’ Achilleid in Baroque Opera

The paper examines the reception of the Achilleid, an epic fragment by the Flavian poet Statius, in the Baroque opera. The Achilleid weaves unique connections among the issues of gender, succession, and genre, and as such merits an important place in studying the operatic reception of antiquity. Th...

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Main Author: Kajetan Škraban
Format: Article
Language:ell
Published: University of Ljubljana Press (Založba Univerze v Ljubljani) 2018-10-01
Series:Keria: Studia Latina et Graeca
Subjects:
Online Access:https://journals.uni-lj.si/keria/article/view/8126
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author Kajetan Škraban
author_facet Kajetan Škraban
author_sort Kajetan Škraban
collection DOAJ
description The paper examines the reception of the Achilleid, an epic fragment by the Flavian poet Statius, in the Baroque opera. The Achilleid weaves unique connections among the issues of gender, succession, and genre, and as such merits an important place in studying the operatic reception of antiquity. The elements mentioned above (gender, succession, genre, as well as transvestism etc.) have been significant in establishing the opera as an art form; indeed, in the light of their historical influence some of the operatic works inspired by Statius may be perceived as major, well-nigh constitutive building blocks of the operatic art.
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spelling doaj.art-d1e8c0ebef36438fb38dfee3a2a063652023-01-18T09:37:45ZellUniversity of Ljubljana Press (Založba Univerze v Ljubljani)Keria: Studia Latina et Graeca1580-02612350-42342018-10-0120110.4312/keria.20.1.105-129Gender, Genre, and Succession: Reception of Statius’ Achilleid in Baroque OperaKajetan Škraban0University of Ljubljana, Faculty of Arts The paper examines the reception of the Achilleid, an epic fragment by the Flavian poet Statius, in the Baroque opera. The Achilleid weaves unique connections among the issues of gender, succession, and genre, and as such merits an important place in studying the operatic reception of antiquity. The elements mentioned above (gender, succession, genre, as well as transvestism etc.) have been significant in establishing the opera as an art form; indeed, in the light of their historical influence some of the operatic works inspired by Statius may be perceived as major, well-nigh constitutive building blocks of the operatic art. https://journals.uni-lj.si/keria/article/view/8126reception of the Achilleid
spellingShingle Kajetan Škraban
Gender, Genre, and Succession: Reception of Statius’ Achilleid in Baroque Opera
Keria: Studia Latina et Graeca
reception of the Achilleid
title Gender, Genre, and Succession: Reception of Statius’ Achilleid in Baroque Opera
title_full Gender, Genre, and Succession: Reception of Statius’ Achilleid in Baroque Opera
title_fullStr Gender, Genre, and Succession: Reception of Statius’ Achilleid in Baroque Opera
title_full_unstemmed Gender, Genre, and Succession: Reception of Statius’ Achilleid in Baroque Opera
title_short Gender, Genre, and Succession: Reception of Statius’ Achilleid in Baroque Opera
title_sort gender genre and succession reception of statius achilleid in baroque opera
topic reception of the Achilleid
url https://journals.uni-lj.si/keria/article/view/8126
work_keys_str_mv AT kajetanskraban gendergenreandsuccessionreceptionofstatiusachilleidinbaroqueopera