CULTURAL MEANINGS OF FORWARD AND REVERSE PERSPECTIVES IN FINE ART

The relevancy of addressing the problem of forward and reverse perspective in the depiction of space on the plane when teaching drawing to children and students is due to the dominance of geometric stereotypes in their pictures, reflecting the photographic character of the surrounding video environm...

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Main Author: Maxim S. Lytov
Format: Article
Language:English
Published: Science and Innovation Center Publishing House 2023-09-01
Series:Russian Studies in Culture and Society
Subjects:
Online Access:http://csjournal.ru/jour/index.php/rscs/article/view/201
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author Maxim S. Lytov
author_facet Maxim S. Lytov
author_sort Maxim S. Lytov
collection DOAJ
description The relevancy of addressing the problem of forward and reverse perspective in the depiction of space on the plane when teaching drawing to children and students is due to the dominance of geometric stereotypes in their pictures, reflecting the photographic character of the surrounding video environment. The aim of the study: in the conditions of increasing trends of standardization and unification of the global society – to substantiate the cultural meanings of including the forward and reverse perspectives in the content of teaching drawing – to master the cultural heritage of Old Russian art, to study and preserve the diversity of visual techniques of small ethnic groups of the country, to develop the creative potential of self-expression in drawing “as I see it”. The methods of analysis, generalization, comparison, contrast, as well as cultural, ecological and complex approaches were used. The result of the study was the revealed contradiction between the fact of dominance of reverse perspective in the perception of children of different nationalities and representatives of indigenous peoples who have not been exposed to civilization, on the one hand, and the teaching in modern schools of direct linear perspective in drawing as the only “correct”, the formation of stereotypes of geometric representation of the surrounding world in students. The conclusion is made about the importance of nature- and culture-oriented orientation of teaching drawing to give it individuality, interest in the cultural heritage of the country and the desire to develop modern domestic fine arts. Area of application of the results: pedagogical process of teaching drawing at school and university.
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spelling doaj.art-d1f983b9abb34ad686c5042a17517bcf2023-12-23T14:11:37ZengScience and Innovation Center Publishing HouseRussian Studies in Culture and Society2576-97822023-09-01738010110.12731/2576-9782-2023-3-80-101201CULTURAL MEANINGS OF FORWARD AND REVERSE PERSPECTIVES IN FINE ARTMaxim S. Lytov0Moscow State Stroganov Academy of Design and Applied Arts (Stroganov Academy)The relevancy of addressing the problem of forward and reverse perspective in the depiction of space on the plane when teaching drawing to children and students is due to the dominance of geometric stereotypes in their pictures, reflecting the photographic character of the surrounding video environment. The aim of the study: in the conditions of increasing trends of standardization and unification of the global society – to substantiate the cultural meanings of including the forward and reverse perspectives in the content of teaching drawing – to master the cultural heritage of Old Russian art, to study and preserve the diversity of visual techniques of small ethnic groups of the country, to develop the creative potential of self-expression in drawing “as I see it”. The methods of analysis, generalization, comparison, contrast, as well as cultural, ecological and complex approaches were used. The result of the study was the revealed contradiction between the fact of dominance of reverse perspective in the perception of children of different nationalities and representatives of indigenous peoples who have not been exposed to civilization, on the one hand, and the teaching in modern schools of direct linear perspective in drawing as the only “correct”, the formation of stereotypes of geometric representation of the surrounding world in students. The conclusion is made about the importance of nature- and culture-oriented orientation of teaching drawing to give it individuality, interest in the cultural heritage of the country and the desire to develop modern domestic fine arts. Area of application of the results: pedagogical process of teaching drawing at school and university.http://csjournal.ru/jour/index.php/rscs/article/view/201fine artsforward and reverse perspectivecross-cultural researchcultural heritagecultural meaning
spellingShingle Maxim S. Lytov
CULTURAL MEANINGS OF FORWARD AND REVERSE PERSPECTIVES IN FINE ART
Russian Studies in Culture and Society
fine arts
forward and reverse perspective
cross-cultural research
cultural heritage
cultural meaning
title CULTURAL MEANINGS OF FORWARD AND REVERSE PERSPECTIVES IN FINE ART
title_full CULTURAL MEANINGS OF FORWARD AND REVERSE PERSPECTIVES IN FINE ART
title_fullStr CULTURAL MEANINGS OF FORWARD AND REVERSE PERSPECTIVES IN FINE ART
title_full_unstemmed CULTURAL MEANINGS OF FORWARD AND REVERSE PERSPECTIVES IN FINE ART
title_short CULTURAL MEANINGS OF FORWARD AND REVERSE PERSPECTIVES IN FINE ART
title_sort cultural meanings of forward and reverse perspectives in fine art
topic fine arts
forward and reverse perspective
cross-cultural research
cultural heritage
cultural meaning
url http://csjournal.ru/jour/index.php/rscs/article/view/201
work_keys_str_mv AT maximslytov culturalmeaningsofforwardandreverseperspectivesinfineart