Ugandan music stars between political agency, patronage, and market relations

The political agency of musicians in Africa has been analysed in terms of patronage, as either praising or protesting against political leaders. However, in the last few years, musicians across the continent have also become leading political figures themselves, with Bobi Wine and the People Power...

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Main Author: Nanna Schneidermann
Format: Article
Language:English
Published: Nordic Africa Research Network 2020-12-01
Series:Nordic Journal of African Studies
Subjects:
Online Access:https://www.njas.fi/njas/article/view/569
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author Nanna Schneidermann
author_facet Nanna Schneidermann
author_sort Nanna Schneidermann
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description The political agency of musicians in Africa has been analysed in terms of patronage, as either praising or protesting against political leaders. However, in the last few years, musicians across the continent have also become leading political figures themselves, with Bobi Wine and the People Power Movement in Uganda as the most prominent example. This article examines the changing relations between popular music and politics by focusing on how musicians engaged with the general election campaigns in Uganda in 2011, 2016, and beyond. Their engagement with formal politics cannot be characterised as political activism, patronage, nor as market relations. To understand this ambiguous political agency, I offer the notion of cultural brokerage as a way of approaching the plural strategies and indeterminate actions of young musicians on the political scene. Ultimately, the “bigness” of music stars has a different relational form than conventional patronage politics, and this may be changing how politics is done in Uganda.
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spelling doaj.art-d2a54eb5e5c64a56aeff1486e0be09ec2023-09-03T11:54:48ZengNordic Africa Research NetworkNordic Journal of African Studies1459-94652020-12-0129410.53228/njas.v29i4.569Ugandan music stars between political agency, patronage, and market relationsNanna Schneidermann0Department of Anthropology, Aarhus University The political agency of musicians in Africa has been analysed in terms of patronage, as either praising or protesting against political leaders. However, in the last few years, musicians across the continent have also become leading political figures themselves, with Bobi Wine and the People Power Movement in Uganda as the most prominent example. This article examines the changing relations between popular music and politics by focusing on how musicians engaged with the general election campaigns in Uganda in 2011, 2016, and beyond. Their engagement with formal politics cannot be characterised as political activism, patronage, nor as market relations. To understand this ambiguous political agency, I offer the notion of cultural brokerage as a way of approaching the plural strategies and indeterminate actions of young musicians on the political scene. Ultimately, the “bigness” of music stars has a different relational form than conventional patronage politics, and this may be changing how politics is done in Uganda. https://www.njas.fi/njas/article/view/569Ugandapoliticspopular musicelections youthcultural broker
spellingShingle Nanna Schneidermann
Ugandan music stars between political agency, patronage, and market relations
Nordic Journal of African Studies
Uganda
politics
popular music
elections youth
cultural broker
title Ugandan music stars between political agency, patronage, and market relations
title_full Ugandan music stars between political agency, patronage, and market relations
title_fullStr Ugandan music stars between political agency, patronage, and market relations
title_full_unstemmed Ugandan music stars between political agency, patronage, and market relations
title_short Ugandan music stars between political agency, patronage, and market relations
title_sort ugandan music stars between political agency patronage and market relations
topic Uganda
politics
popular music
elections youth
cultural broker
url https://www.njas.fi/njas/article/view/569
work_keys_str_mv AT nannaschneidermann ugandanmusicstarsbetweenpoliticalagencypatronageandmarketrelations