The Cineautistic Detective: Steve Erickson’s “Zeroville” and the New Hollywood Novel

This article proposes a reading of Steve Erickson’s Zeroville (2007) as a post-noir mystery novel in which the ‘cineautistic’ detective Vikar, haunted by the ghosts of his Hollywood myths, brings out the cultural meaning behind the fatal date 1969. Going beyond the tropes of the Hollywood Novel, as...

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Main Author: Antonio Di Vilio
Format: Article
Language:English
Published: Department of Foreign Languages and Literatures at the University of Verona 2021-12-01
Series:Iperstoria
Subjects:
Online Access:https://iperstoria.it/article/view/1085
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author Antonio Di Vilio
author_facet Antonio Di Vilio
author_sort Antonio Di Vilio
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description This article proposes a reading of Steve Erickson’s Zeroville (2007) as a post-noir mystery novel in which the ‘cineautistic’ detective Vikar, haunted by the ghosts of his Hollywood myths, brings out the cultural meaning behind the fatal date 1969. Going beyond the tropes of the Hollywood Novel, as a solitary detective who tries to relate to the fragmented space that surrounds him, Vikar will shed some light not so much on the industry’s dehumanizing capabilities—which the classic Hollywood novels aimed to uncover—but on the force of the medium and its conventions. Vikar’s great skills as a film editor will piece together the clues in order to solve a metaphysical cinematic mystery and to confront the cultural transition represented by the New Hollywood and television. As Zeroville’s storyworld proves to be rooted in film experience, this essay also aims to detect the cinematic references and to analyze their meaning in relation to the novel’s discourse on medium.
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spelling doaj.art-d2c8006aa8494655b007cd766301aa552022-12-21T19:39:28ZengDepartment of Foreign Languages and Literatures at the University of VeronaIperstoria2281-45822021-12-0101810.13136/2281-4582/2021.i18.1085924The Cineautistic Detective: Steve Erickson’s “Zeroville” and the New Hollywood NovelAntonio Di Vilio0University of Trieste / University of UdineThis article proposes a reading of Steve Erickson’s Zeroville (2007) as a post-noir mystery novel in which the ‘cineautistic’ detective Vikar, haunted by the ghosts of his Hollywood myths, brings out the cultural meaning behind the fatal date 1969. Going beyond the tropes of the Hollywood Novel, as a solitary detective who tries to relate to the fragmented space that surrounds him, Vikar will shed some light not so much on the industry’s dehumanizing capabilities—which the classic Hollywood novels aimed to uncover—but on the force of the medium and its conventions. Vikar’s great skills as a film editor will piece together the clues in order to solve a metaphysical cinematic mystery and to confront the cultural transition represented by the New Hollywood and television. As Zeroville’s storyworld proves to be rooted in film experience, this essay also aims to detect the cinematic references and to analyze their meaning in relation to the novel’s discourse on medium.https://iperstoria.it/article/view/1085steve ericksonzerovillenoirnew hollywoodpop culture
spellingShingle Antonio Di Vilio
The Cineautistic Detective: Steve Erickson’s “Zeroville” and the New Hollywood Novel
Iperstoria
steve erickson
zeroville
noir
new hollywood
pop culture
title The Cineautistic Detective: Steve Erickson’s “Zeroville” and the New Hollywood Novel
title_full The Cineautistic Detective: Steve Erickson’s “Zeroville” and the New Hollywood Novel
title_fullStr The Cineautistic Detective: Steve Erickson’s “Zeroville” and the New Hollywood Novel
title_full_unstemmed The Cineautistic Detective: Steve Erickson’s “Zeroville” and the New Hollywood Novel
title_short The Cineautistic Detective: Steve Erickson’s “Zeroville” and the New Hollywood Novel
title_sort cineautistic detective steve erickson s zeroville and the new hollywood novel
topic steve erickson
zeroville
noir
new hollywood
pop culture
url https://iperstoria.it/article/view/1085
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