A ALDEIA JESUÍTICA DE CARAPICUIBA NA HISTÓRIA E NO FILME CASINHA PEQUENINA
Before anything, the cinema is a document. As all document, it can be manipulated, to serve as an instrument of manipulation, of social alienation. But before all this is a witness to history, it is a strength in the process of society awareness and a powerful instrument to the preservation of the m...
| Main Authors: | , |
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| Format: | Article |
| Language: | Portuguese |
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Universidade Estadual do Oeste do Paraná
2014-07-01
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| Series: | Travessias |
| Subjects: | |
| Online Access: | http://e-revista.unioeste.br/index.php/travessias/article/view/8414 |
| Summary: | Before anything, the cinema is a document. As all document, it can be manipulated, to serve as an instrument of manipulation, of social alienation. But before all this is a witness to history, it is a strength in the process of society awareness and a powerful instrument to the preservation of the material patrimony and the culture of the people.
As a photography, the cinema is important to preserve the memory of a society. Public spaces filming, cultural events, and the people, are important documents to the reconstruction of the everyday and the cultural rescue. |
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| ISSN: | 1982-5935 |