Morgue of the Misbegotten: O’Neill’s Pattern of Salvation in The Iceman Cometh

This paper analyzes Eugene O’Neill’s advocation of the impossibility of salvation or reformation on both societal and individual levels as dramatized in The Iceman Cometh. The method the playwright uses is to have a group of derelict characters gather in an isolated place and put them under the spel...

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Main Author: Mufeed F. Al-Abdullah
Format: Article
Language:English
Published: European Association for American Studies
Series:European Journal of American Studies
Subjects:
Online Access:https://journals.openedition.org/ejas/1166
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author Mufeed F. Al-Abdullah
author_facet Mufeed F. Al-Abdullah
author_sort Mufeed F. Al-Abdullah
collection DOAJ
description This paper analyzes Eugene O’Neill’s advocation of the impossibility of salvation or reformation on both societal and individual levels as dramatized in The Iceman Cometh. The method the playwright uses is to have a group of derelict characters gather in an isolated place and put them under the spell of a savior, Hickey, who aspires to shape their lives according to his own vision. O’Neill’s savior, however, proves to be a parody of a savior, who alienates the misfortunate group instead of saving it.Hickey’s brand of salvation leads to death as a means of terminating human life and negating spiritual values. This paper thus analyzes O’Neill’s masterpiece as a dramatization of his pessimistic vision of the world as a lodge of the misfortunate, of human life as a nightmare, and of death as the only way out. The Iceman Cometh orchestrates no hope for man in modern times, but sings an elegy for the misbegotten and depicts the world as a morgue for death-in-life.
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spelling doaj.art-d2eb9144dd184675a44ebb2043ff0c9e2024-02-14T13:22:46ZengEuropean Association for American StudiesEuropean Journal of American Studies1991-93362110.4000/ejas.1166Morgue of the Misbegotten: O’Neill’s Pattern of Salvation in The Iceman ComethMufeed F. Al-AbdullahThis paper analyzes Eugene O’Neill’s advocation of the impossibility of salvation or reformation on both societal and individual levels as dramatized in The Iceman Cometh. The method the playwright uses is to have a group of derelict characters gather in an isolated place and put them under the spell of a savior, Hickey, who aspires to shape their lives according to his own vision. O’Neill’s savior, however, proves to be a parody of a savior, who alienates the misfortunate group instead of saving it.Hickey’s brand of salvation leads to death as a means of terminating human life and negating spiritual values. This paper thus analyzes O’Neill’s masterpiece as a dramatization of his pessimistic vision of the world as a lodge of the misfortunate, of human life as a nightmare, and of death as the only way out. The Iceman Cometh orchestrates no hope for man in modern times, but sings an elegy for the misbegotten and depicts the world as a morgue for death-in-life.https://journals.openedition.org/ejas/1166modernism alienationsalvationChristian modelsmadnessEugene O’Neill theatredeath in literature
spellingShingle Mufeed F. Al-Abdullah
Morgue of the Misbegotten: O’Neill’s Pattern of Salvation in The Iceman Cometh
European Journal of American Studies
modernism alienation
salvation
Christian models
madness
Eugene O’Neill theatre
death in literature
title Morgue of the Misbegotten: O’Neill’s Pattern of Salvation in The Iceman Cometh
title_full Morgue of the Misbegotten: O’Neill’s Pattern of Salvation in The Iceman Cometh
title_fullStr Morgue of the Misbegotten: O’Neill’s Pattern of Salvation in The Iceman Cometh
title_full_unstemmed Morgue of the Misbegotten: O’Neill’s Pattern of Salvation in The Iceman Cometh
title_short Morgue of the Misbegotten: O’Neill’s Pattern of Salvation in The Iceman Cometh
title_sort morgue of the misbegotten o neill s pattern of salvation in the iceman cometh
topic modernism alienation
salvation
Christian models
madness
Eugene O’Neill theatre
death in literature
url https://journals.openedition.org/ejas/1166
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