Copyright Management and its Effect on the Sampling Practice of UK Dance Music Producers
This article draws on qualitative data gained from interviews with a number of established UK dance music producers. Consideration is given to how sampling practice developed in the UK, including the influence of American hip-hop pioneers, the ethical rules that the producers apply to their use of s...
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| Format: | Article |
| Language: | English |
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International Association for the Study of Popular Music
2013-01-01
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| Series: | IASPM Journal |
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| Online Access: | https://iaspmjournal.net/index.php/IASPM_Journal/article/view/589/pdf_3 |
| _version_ | 1818266279665991680 |
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| author | Justin Morey |
| author_facet | Justin Morey |
| author_sort | Justin Morey |
| collection | DOAJ |
| description | This article draws on qualitative data gained from interviews with a number of established UK dance music producers. Consideration is given to how sampling practice developed in the UK, including the influence of American hip-hop pioneers, the ethical rules that the producers apply to their use of samples, and the extent to which their compositional methods and creative choices have adapted in response to increasingly exacting copyright enforcement. It is argued that copyright and its application is one of a number of affordances and constraints, be they technological, industrial, sociocultural or legal that help to shape the creative practice of these producers. |
| first_indexed | 2024-12-12T20:04:11Z |
| format | Article |
| id | doaj.art-d330795d81064717920d6a28d3a8e223 |
| institution | Directory Open Access Journal |
| issn | 2079-3871 2079-3871 |
| language | English |
| last_indexed | 2024-12-12T20:04:11Z |
| publishDate | 2013-01-01 |
| publisher | International Association for the Study of Popular Music |
| record_format | Article |
| series | IASPM Journal |
| spelling | doaj.art-d330795d81064717920d6a28d3a8e2232022-12-22T00:13:41ZengInternational Association for the Study of Popular MusicIASPM Journal2079-38712079-38712013-01-0131486210.5429/2079-3871(2012)v3i1.5enCopyright Management and its Effect on the Sampling Practice of UK Dance Music ProducersJustin Morey0Leeds Metropolitan UniversityThis article draws on qualitative data gained from interviews with a number of established UK dance music producers. Consideration is given to how sampling practice developed in the UK, including the influence of American hip-hop pioneers, the ethical rules that the producers apply to their use of samples, and the extent to which their compositional methods and creative choices have adapted in response to increasingly exacting copyright enforcement. It is argued that copyright and its application is one of a number of affordances and constraints, be they technological, industrial, sociocultural or legal that help to shape the creative practice of these producers.https://iaspmjournal.net/index.php/IASPM_Journal/article/view/589/pdf_3digital samplingcreative practicelegal frameworkmusic industrytechnology |
| spellingShingle | Justin Morey Copyright Management and its Effect on the Sampling Practice of UK Dance Music Producers IASPM Journal digital sampling creative practice legal framework music industry technology |
| title | Copyright Management and its Effect on the Sampling Practice of UK Dance Music Producers |
| title_full | Copyright Management and its Effect on the Sampling Practice of UK Dance Music Producers |
| title_fullStr | Copyright Management and its Effect on the Sampling Practice of UK Dance Music Producers |
| title_full_unstemmed | Copyright Management and its Effect on the Sampling Practice of UK Dance Music Producers |
| title_short | Copyright Management and its Effect on the Sampling Practice of UK Dance Music Producers |
| title_sort | copyright management and its effect on the sampling practice of uk dance music producers |
| topic | digital sampling creative practice legal framework music industry technology |
| url | https://iaspmjournal.net/index.php/IASPM_Journal/article/view/589/pdf_3 |
| work_keys_str_mv | AT justinmorey copyrightmanagementanditseffectonthesamplingpracticeofukdancemusicproducers |