Performing Dumas. Architecture and Mise en Scène at the Château de Monte-Cristo

When Alexandre Dumas père was at the peak of his success and popularity, he was personally involved in the design and construction of the Château de Monte-Cristo (Port-Marly, France, 1847). The architectural and ornamental features of this lavish abode can be interpreted as a reflection of Dumas’ li...

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Main Author: Sánchez-García, Jesús Ángel
Format: Article
Language:deu
Published: International Association of Research Institutes in the History of Art (RIHA) 2017-01-01
Series:RIHA Journal
Subjects:
Online Access:http://www.riha-journal.org/articles/2017/0145-sanchez-garcia
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author Sánchez-García, Jesús Ángel
author_facet Sánchez-García, Jesús Ángel
author_sort Sánchez-García, Jesús Ángel
collection DOAJ
description When Alexandre Dumas père was at the peak of his success and popularity, he was personally involved in the design and construction of the Château de Monte-Cristo (Port-Marly, France, 1847). The architectural and ornamental features of this lavish abode can be interpreted as a reflection of Dumas’ literary ambition, as a complex aesthetic portrait. Dumas’ mise en scène of his whole life as artwork prompted him to create an elaborate display of visual rhetoric, an interplay of images and words developed through a physical and allegorical relationship with a place now appropriated by and absorbed into his persona. It is essential, therefore, that information on Dumas’ life and literary career may be combined with an iconographic analysis as a means of decoding the meanings bound up in the spectacle buildings at the Château de Monte-Cristo.
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spelling doaj.art-d34673a458764078be1282cfcfd9bc092023-12-03T02:50:39ZdeuInternational Association of Research Institutes in the History of Art (RIHA)RIHA Journal2190-33282017-01-010145Performing Dumas. Architecture and Mise en Scène at the Château de Monte-CristoSánchez-García, Jesús ÁngelWhen Alexandre Dumas père was at the peak of his success and popularity, he was personally involved in the design and construction of the Château de Monte-Cristo (Port-Marly, France, 1847). The architectural and ornamental features of this lavish abode can be interpreted as a reflection of Dumas’ literary ambition, as a complex aesthetic portrait. Dumas’ mise en scène of his whole life as artwork prompted him to create an elaborate display of visual rhetoric, an interplay of images and words developed through a physical and allegorical relationship with a place now appropriated by and absorbed into his persona. It is essential, therefore, that information on Dumas’ life and literary career may be combined with an iconographic analysis as a means of decoding the meanings bound up in the spectacle buildings at the Château de Monte-Cristo.http://www.riha-journal.org/articles/2017/0145-sanchez-garciaAlexandre DumasChâteau de Monte-CristoWriter's homesRomanticismTheatre
spellingShingle Sánchez-García, Jesús Ángel
Performing Dumas. Architecture and Mise en Scène at the Château de Monte-Cristo
RIHA Journal
Alexandre Dumas
Château de Monte-Cristo
Writer's homes
Romanticism
Theatre
title Performing Dumas. Architecture and Mise en Scène at the Château de Monte-Cristo
title_full Performing Dumas. Architecture and Mise en Scène at the Château de Monte-Cristo
title_fullStr Performing Dumas. Architecture and Mise en Scène at the Château de Monte-Cristo
title_full_unstemmed Performing Dumas. Architecture and Mise en Scène at the Château de Monte-Cristo
title_short Performing Dumas. Architecture and Mise en Scène at the Château de Monte-Cristo
title_sort performing dumas architecture and mise en scene at the chateau de monte cristo
topic Alexandre Dumas
Château de Monte-Cristo
Writer's homes
Romanticism
Theatre
url http://www.riha-journal.org/articles/2017/0145-sanchez-garcia
work_keys_str_mv AT sanchezgarciajesusangel performingdumasarchitectureandmiseensceneatthechateaudemontecristo