Ukrainian Theatrical Drawings and Sketches of the Avant-Garde Era
The study of time, space and movement as constituent art elements was a focus of attention of avant-garde artists. The theatre where events unfold both in space and time became a place of consolidation of Ukrainian artists, with the synergistic association of representatives in various art branches...
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| Format: | Article |
| Language: | deu |
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University of Ljubljana Press (Založba Univerze v Ljubljani)
2021-07-01
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| Series: | Ars & Humanitas |
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| Online Access: | https://journals.uni-lj.si/arshumanitas/article/view/9562 |
| _version_ | 1797950130466324480 |
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| author | Yuliya Maystrenko-Vakulenko |
| author_facet | Yuliya Maystrenko-Vakulenko |
| author_sort | Yuliya Maystrenko-Vakulenko |
| collection | DOAJ |
| description |
The study of time, space and movement as constituent art elements was a focus of attention of avant-garde artists. The theatre where events unfold both in space and time became a place of consolidation of Ukrainian artists, with the synergistic association of representatives in various art branches and movements. A scenographic sketch, that is, a two-dimensional realisation of idea of a future four-dimensional work, is a unique phenomenon to study the evolution of the avant-garde’s concept of the space-time continuum. Through the example of works of both distinguished and less known Ukrainian theatre artists we have studied features of the realisation of time and space categories according to the key stylistic directions of the Ukrainian avant-garde: cubism, futurism, cubo-futurism, constructivism, suprematism. A theoretical basis for the study has been provided by works of Western thinkers of the late nineteenth and early twentieth centuries: Edmund Husserl, Henri Bergson, Oswald Spengler, Ludwig Wittgenstein, Maurice Merleau-Ponty, and Meyer Schapiro, along with the Ukrainian art theorists Kasimir Malevich, Aleksandr Bogomasov, and Les Kurbas, as well as works of modern researchers such as Linda Henderson and Igor Duchan.
We have drawn a parallel between the development of art concepts in the Ukrainian avant-garde and scientific achievements, and the sense of time and space categories in the philosophical thought of that epoch.
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| first_indexed | 2024-04-10T22:10:20Z |
| format | Article |
| id | doaj.art-d35f0c630395439d861c7d9e64ad3e12 |
| institution | Directory Open Access Journal |
| issn | 1854-9632 2350-4218 |
| language | deu |
| last_indexed | 2024-04-10T22:10:20Z |
| publishDate | 2021-07-01 |
| publisher | University of Ljubljana Press (Založba Univerze v Ljubljani) |
| record_format | Article |
| series | Ars & Humanitas |
| spelling | doaj.art-d35f0c630395439d861c7d9e64ad3e122023-01-18T08:52:50ZdeuUniversity of Ljubljana Press (Založba Univerze v Ljubljani)Ars & Humanitas1854-96322350-42182021-07-0115110.4312/ars.15.1.197-211Ukrainian Theatrical Drawings and Sketches of the Avant-Garde EraYuliya Maystrenko-Vakulenko0National Academy of Fine Arts and Architecture, Kyiv, Ukraine The study of time, space and movement as constituent art elements was a focus of attention of avant-garde artists. The theatre where events unfold both in space and time became a place of consolidation of Ukrainian artists, with the synergistic association of representatives in various art branches and movements. A scenographic sketch, that is, a two-dimensional realisation of idea of a future four-dimensional work, is a unique phenomenon to study the evolution of the avant-garde’s concept of the space-time continuum. Through the example of works of both distinguished and less known Ukrainian theatre artists we have studied features of the realisation of time and space categories according to the key stylistic directions of the Ukrainian avant-garde: cubism, futurism, cubo-futurism, constructivism, suprematism. A theoretical basis for the study has been provided by works of Western thinkers of the late nineteenth and early twentieth centuries: Edmund Husserl, Henri Bergson, Oswald Spengler, Ludwig Wittgenstein, Maurice Merleau-Ponty, and Meyer Schapiro, along with the Ukrainian art theorists Kasimir Malevich, Aleksandr Bogomasov, and Les Kurbas, as well as works of modern researchers such as Linda Henderson and Igor Duchan. We have drawn a parallel between the development of art concepts in the Ukrainian avant-garde and scientific achievements, and the sense of time and space categories in the philosophical thought of that epoch. https://journals.uni-lj.si/arshumanitas/article/view/9562avant-gardespace-time continuumdrawingUkrainian theatrical drawingsketch |
| spellingShingle | Yuliya Maystrenko-Vakulenko Ukrainian Theatrical Drawings and Sketches of the Avant-Garde Era Ars & Humanitas avant-garde space-time continuum drawing Ukrainian theatrical drawing sketch |
| title | Ukrainian Theatrical Drawings and Sketches of the Avant-Garde Era |
| title_full | Ukrainian Theatrical Drawings and Sketches of the Avant-Garde Era |
| title_fullStr | Ukrainian Theatrical Drawings and Sketches of the Avant-Garde Era |
| title_full_unstemmed | Ukrainian Theatrical Drawings and Sketches of the Avant-Garde Era |
| title_short | Ukrainian Theatrical Drawings and Sketches of the Avant-Garde Era |
| title_sort | ukrainian theatrical drawings and sketches of the avant garde era |
| topic | avant-garde space-time continuum drawing Ukrainian theatrical drawing sketch |
| url | https://journals.uni-lj.si/arshumanitas/article/view/9562 |
| work_keys_str_mv | AT yuliyamaystrenkovakulenko ukrainiantheatricaldrawingsandsketchesoftheavantgardeera |