Hackeo ontológico y entornos Metatopia: performance motora, sistemas interactivos y experiencia subjetiva
Metabody Project challenges standardization induced by communication technologies. Its main proposal consists in a series of environments named Metatopia: interactive installations made up of structures on which lights, virtual architectures and synthesized sound are projected. Participants situate...
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| Format: | Article |
| Language: | English |
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Pontificia Universidad Católica de Chile
2018-11-01
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| Series: | Resonancias |
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| Online Access: | https://resonancias.uc.cl/n-43/hackeo-ontologico-y-entornos-metatopia-performance-motora-sistemas-interactivos-y-experiencia-subjetiva/ |
| _version_ | 1797633377705132032 |
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| author | Alicia Peñalba Rubén López-Cano |
| author_facet | Alicia Peñalba Rubén López-Cano |
| author_sort | Alicia Peñalba |
| collection | DOAJ |
| description | Metabody Project challenges standardization induced by communication technologies. Its main proposal consists in a series of environments named Metatopia: interactive installations made up of structures on which lights, virtual architectures and synthesized sound are projected. Participants situate themselves inside the device equipped with sensors that transform all elements in a non-linear, non-cartesian fashion with the purpose of encouraging ontological hacking: the emergence of diverse forms of corporeality and cognition. The present study focuses in participants’ experimentation with the device, in order to learn about their processes of bodily and cognitive otherness and the whole range of components making up their experience. A systematic observation has been conducted of their bodily performances, gestural functions and types of interaction with the environment, while in-depth interviews reveal their subjective experiences. Results are modeled by resorting to theories of embodied enactive cognition; Laban’s categories of movement; Bourdieu’s habitus; and the principles of ontohacking furthered by the project: disalignements, metagaming, amorphogenesis and flexinamics. The results disclose experiences where perceptual modalities crisscross and there take place metaphorization and subjective dislocation as a result of sensing the loss of control and the space-time notion, as well as the blurring of frontiers between the subject and the environment. |
| first_indexed | 2024-03-11T11:53:14Z |
| format | Article |
| id | doaj.art-d3679a682215493889cef2cdd861ab45 |
| institution | Directory Open Access Journal |
| issn | 0717-3474 0719-5702 |
| language | English |
| last_indexed | 2024-03-11T11:53:14Z |
| publishDate | 2018-11-01 |
| publisher | Pontificia Universidad Católica de Chile |
| record_format | Article |
| series | Resonancias |
| spelling | doaj.art-d3679a682215493889cef2cdd861ab452023-11-09T00:45:41ZengPontificia Universidad Católica de ChileResonancias0717-34740719-57022018-11-01224313315710.7764/res.2018.43.7Hackeo ontológico y entornos Metatopia: performance motora, sistemas interactivos y experiencia subjetivaAlicia Peñalba0Rubén López-Cano1Departamento de Didáctica de la Expresión Musical, Plástica y Corporal, Universidad de ValladolidDepartamento de musicología, Escola Superior de Música de CatalunyaMetabody Project challenges standardization induced by communication technologies. Its main proposal consists in a series of environments named Metatopia: interactive installations made up of structures on which lights, virtual architectures and synthesized sound are projected. Participants situate themselves inside the device equipped with sensors that transform all elements in a non-linear, non-cartesian fashion with the purpose of encouraging ontological hacking: the emergence of diverse forms of corporeality and cognition. The present study focuses in participants’ experimentation with the device, in order to learn about their processes of bodily and cognitive otherness and the whole range of components making up their experience. A systematic observation has been conducted of their bodily performances, gestural functions and types of interaction with the environment, while in-depth interviews reveal their subjective experiences. Results are modeled by resorting to theories of embodied enactive cognition; Laban’s categories of movement; Bourdieu’s habitus; and the principles of ontohacking furthered by the project: disalignements, metagaming, amorphogenesis and flexinamics. The results disclose experiences where perceptual modalities crisscross and there take place metaphorization and subjective dislocation as a result of sensing the loss of control and the space-time notion, as well as the blurring of frontiers between the subject and the environment.https://resonancias.uc.cl/n-43/hackeo-ontologico-y-entornos-metatopia-performance-motora-sistemas-interactivos-y-experiencia-subjetiva/non-linear interactive installationmetabodymusical subjectivityontohackingdigital music instrument interactionenactive musical cognition |
| spellingShingle | Alicia Peñalba Rubén López-Cano Hackeo ontológico y entornos Metatopia: performance motora, sistemas interactivos y experiencia subjetiva Resonancias non-linear interactive installation metabody musical subjectivity ontohacking digital music instrument interaction enactive musical cognition |
| title | Hackeo ontológico y entornos Metatopia: performance motora, sistemas interactivos y experiencia subjetiva |
| title_full | Hackeo ontológico y entornos Metatopia: performance motora, sistemas interactivos y experiencia subjetiva |
| title_fullStr | Hackeo ontológico y entornos Metatopia: performance motora, sistemas interactivos y experiencia subjetiva |
| title_full_unstemmed | Hackeo ontológico y entornos Metatopia: performance motora, sistemas interactivos y experiencia subjetiva |
| title_short | Hackeo ontológico y entornos Metatopia: performance motora, sistemas interactivos y experiencia subjetiva |
| title_sort | hackeo ontologico y entornos metatopia performance motora sistemas interactivos y experiencia subjetiva |
| topic | non-linear interactive installation metabody musical subjectivity ontohacking digital music instrument interaction enactive musical cognition |
| url | https://resonancias.uc.cl/n-43/hackeo-ontologico-y-entornos-metatopia-performance-motora-sistemas-interactivos-y-experiencia-subjetiva/ |
| work_keys_str_mv | AT aliciapenalba hackeoontologicoyentornosmetatopiaperformancemotorasistemasinteractivosyexperienciasubjetiva AT rubenlopezcano hackeoontologicoyentornosmetatopiaperformancemotorasistemasinteractivosyexperienciasubjetiva |