Le cadre incarné : corps-à-corps aux marges du décor
When painted at the extreme edges of the decor, the liminal protagonist that exceeds the margins tends to merge with the frame. He therefore shares its functions, particularly the deictic one. As an anthropomorphic embodiment of the frame, this powerful admonitor constitutes the perfect intermediary...
| Main Author: | |
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| Format: | Article |
| Language: | fra |
| Published: |
Centre d´Histoire et Théorie des Arts
2022-12-01
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| Series: | Images Re-Vues |
| Subjects: | |
| Online Access: | http://journals.openedition.org/imagesrevues/12526 |
| _version_ | 1797788015408447488 |
|---|---|
| author | Roxanne Loos |
| author_facet | Roxanne Loos |
| author_sort | Roxanne Loos |
| collection | DOAJ |
| description | When painted at the extreme edges of the decor, the liminal protagonist that exceeds the margins tends to merge with the frame. He therefore shares its functions, particularly the deictic one. As an anthropomorphic embodiment of the frame, this powerful admonitor constitutes the perfect intermediary between the pictorial space and the viewer’s world. This article looks into the meaning of these "framing figures" in Italian Renaissance frescoes, and the various ways and degrees in which they are integrated into the narrative. |
| first_indexed | 2024-03-13T01:30:30Z |
| format | Article |
| id | doaj.art-d36b5409f14c44e4ac056ff1fa4ed37e |
| institution | Directory Open Access Journal |
| issn | 1778-3801 |
| language | fra |
| last_indexed | 2024-03-13T01:30:30Z |
| publishDate | 2022-12-01 |
| publisher | Centre d´Histoire et Théorie des Arts |
| record_format | Article |
| series | Images Re-Vues |
| spelling | doaj.art-d36b5409f14c44e4ac056ff1fa4ed37e2023-07-04T09:08:50ZfraCentre d´Histoire et Théorie des ArtsImages Re-Vues1778-38012022-12-011010.4000/imagesrevues.12526Le cadre incarné : corps-à-corps aux marges du décorRoxanne LoosWhen painted at the extreme edges of the decor, the liminal protagonist that exceeds the margins tends to merge with the frame. He therefore shares its functions, particularly the deictic one. As an anthropomorphic embodiment of the frame, this powerful admonitor constitutes the perfect intermediary between the pictorial space and the viewer’s world. This article looks into the meaning of these "framing figures" in Italian Renaissance frescoes, and the various ways and degrees in which they are integrated into the narrative.http://journals.openedition.org/imagesrevues/12526framedecorative devicesfrescoitalian renaissance |
| spellingShingle | Roxanne Loos Le cadre incarné : corps-à-corps aux marges du décor Images Re-Vues frame decorative devices fresco italian renaissance |
| title | Le cadre incarné : corps-à-corps aux marges du décor |
| title_full | Le cadre incarné : corps-à-corps aux marges du décor |
| title_fullStr | Le cadre incarné : corps-à-corps aux marges du décor |
| title_full_unstemmed | Le cadre incarné : corps-à-corps aux marges du décor |
| title_short | Le cadre incarné : corps-à-corps aux marges du décor |
| title_sort | le cadre incarne corps a corps aux marges du decor |
| topic | frame decorative devices fresco italian renaissance |
| url | http://journals.openedition.org/imagesrevues/12526 |
| work_keys_str_mv | AT roxanneloos lecadreincarnecorpsacorpsauxmargesdudecor |