La mala memoria: Heberto Padilla and the ruin of History

In 1989, almost ten years after his departure from the island, and in tune with the crumbling of international communism, writer Heberto Padilla published La mala memoria, a text in which he recounts, among other things, his experience as a State Security detainee in Villa Marista prison and his sub...

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Main Author: Rocío Fernández
Format: Article
Language:Spanish
Published: Universidad Nacional de Mar del Plata 2022-03-01
Series:Estudios de Teoría Literaria
Subjects:
Online Access:http://fh.mdp.edu.ar/revistas/index.php/etl/article/view/5784
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author Rocío Fernández
author_facet Rocío Fernández
author_sort Rocío Fernández
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description In 1989, almost ten years after his departure from the island, and in tune with the crumbling of international communism, writer Heberto Padilla published La mala memoria, a text in which he recounts, among other things, his experience as a State Security detainee in Villa Marista prison and his subsequent self-criticism in the Union of Cuban Writers and Artists. Despite the fact that in 1971 those events questioned the entire intellectual community of the Latin American and European left and that, in the Cuban's publication, the "Case" is effectively the climax of the story, I would like to propose a reading of Padilla's memoirs that takes the focus off those events to foreground the ways in which the voice of the Revolution was constructed. This way of approaching the text is what I believe allows not only to establish relationships with other works by the author, such as the collection of poems Fuera del juego (1968), but also to reflect on his writing as a poetics of corrosion and emptying that allows him to dispute the senses of the State that censored him.
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spelling doaj.art-d389977d11df443d830277df51d0ee182022-12-21T23:33:54ZspaUniversidad Nacional de Mar del PlataEstudios de Teoría Literaria2313-96762022-03-011124901014430La mala memoria: Heberto Padilla and the ruin of HistoryRocío Fernández0Universidad Nacional de Mar del PlataIn 1989, almost ten years after his departure from the island, and in tune with the crumbling of international communism, writer Heberto Padilla published La mala memoria, a text in which he recounts, among other things, his experience as a State Security detainee in Villa Marista prison and his subsequent self-criticism in the Union of Cuban Writers and Artists. Despite the fact that in 1971 those events questioned the entire intellectual community of the Latin American and European left and that, in the Cuban's publication, the "Case" is effectively the climax of the story, I would like to propose a reading of Padilla's memoirs that takes the focus off those events to foreground the ways in which the voice of the Revolution was constructed. This way of approaching the text is what I believe allows not only to establish relationships with other works by the author, such as the collection of poems Fuera del juego (1968), but also to reflect on his writing as a poetics of corrosion and emptying that allows him to dispute the senses of the State that censored him.http://fh.mdp.edu.ar/revistas/index.php/etl/article/view/5784heberto padillarevolución cubanamemoriasvozcorrosión
spellingShingle Rocío Fernández
La mala memoria: Heberto Padilla and the ruin of History
Estudios de Teoría Literaria
heberto padilla
revolución cubana
memorias
voz
corrosión
title La mala memoria: Heberto Padilla and the ruin of History
title_full La mala memoria: Heberto Padilla and the ruin of History
title_fullStr La mala memoria: Heberto Padilla and the ruin of History
title_full_unstemmed La mala memoria: Heberto Padilla and the ruin of History
title_short La mala memoria: Heberto Padilla and the ruin of History
title_sort la mala memoria heberto padilla and the ruin of history
topic heberto padilla
revolución cubana
memorias
voz
corrosión
url http://fh.mdp.edu.ar/revistas/index.php/etl/article/view/5784
work_keys_str_mv AT rociofernandez lamalamemoriahebertopadillaandtheruinofhistory