Canon bucólico y dispositio en las Églogas pastoriles de Pedro de Padilla

Narrative mode takes part as a secondary component of main models of bucolic book: Virgil’s Eclogues, where it is subordinated to dramatic mode, and Sannazaro’s Arcadia, that combines the lyricism with a narrative dimension, joined to velame pastorico predominant in proses added to second version. H...

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Main Author: Soledad Pérez-Abadín Barro
Format: Article
Language:Spanish
Published: Presses universitaires du Mirail 2015-10-01
Series:Criticón
Subjects:
Online Access:http://journals.openedition.org/criticon/2237
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author Soledad Pérez-Abadín Barro
author_facet Soledad Pérez-Abadín Barro
author_sort Soledad Pérez-Abadín Barro
collection DOAJ
description Narrative mode takes part as a secondary component of main models of bucolic book: Virgil’s Eclogues, where it is subordinated to dramatic mode, and Sannazaro’s Arcadia, that combines the lyricism with a narrative dimension, joined to velame pastorico predominant in proses added to second version. However, it has been proposed as definitory trait of Pedro de Padilla’s Églogas pastoriles (1582), read as a romance. This interpretation must be corrected by a valoration of the supposed narrative structure as a simple support of a poetic anthology and a repertory of metric forms, a bucolic book whose analysis of feelings displaces the happen, understood in a cyclic course that cancels the narrative efficacy of the story. The coherence of the collection as a book is supported in a bucolic canon that follows the lines codified by models, Bucolics and Arcadia.
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spelling doaj.art-d3921ca575d14a3bb1a7bfb7350f940a2022-12-21T21:10:00ZspaPresses universitaires du MirailCriticón0247-381X2015-10-0112513315210.4000/criticon.2237Canon bucólico y dispositio en las Églogas pastoriles de Pedro de PadillaSoledad Pérez-Abadín BarroNarrative mode takes part as a secondary component of main models of bucolic book: Virgil’s Eclogues, where it is subordinated to dramatic mode, and Sannazaro’s Arcadia, that combines the lyricism with a narrative dimension, joined to velame pastorico predominant in proses added to second version. However, it has been proposed as definitory trait of Pedro de Padilla’s Églogas pastoriles (1582), read as a romance. This interpretation must be corrected by a valoration of the supposed narrative structure as a simple support of a poetic anthology and a repertory of metric forms, a bucolic book whose analysis of feelings displaces the happen, understood in a cyclic course that cancels the narrative efficacy of the story. The coherence of the collection as a book is supported in a bucolic canon that follows the lines codified by models, Bucolics and Arcadia.http://journals.openedition.org/criticon/2237bucolic bookPadilla Pedro debucolic canon
spellingShingle Soledad Pérez-Abadín Barro
Canon bucólico y dispositio en las Églogas pastoriles de Pedro de Padilla
Criticón
bucolic book
Padilla Pedro de
bucolic canon
title Canon bucólico y dispositio en las Églogas pastoriles de Pedro de Padilla
title_full Canon bucólico y dispositio en las Églogas pastoriles de Pedro de Padilla
title_fullStr Canon bucólico y dispositio en las Églogas pastoriles de Pedro de Padilla
title_full_unstemmed Canon bucólico y dispositio en las Églogas pastoriles de Pedro de Padilla
title_short Canon bucólico y dispositio en las Églogas pastoriles de Pedro de Padilla
title_sort canon bucolico y dispositio en las eglogas pastoriles de pedro de padilla
topic bucolic book
Padilla Pedro de
bucolic canon
url http://journals.openedition.org/criticon/2237
work_keys_str_mv AT soledadperezabadinbarro canonbucolicoydispositioenlaseglogaspastorilesdepedrodepadilla