Ralph Waldo Emerson, ou le génie de l’imitation
Emerson’s essays testify to the writing subject’s desire for originality, his will to stop “[groping] among the dry bones of the past” (Nature, 27) in order to project himself ahead, literally to ex-press himself. This prospective impulse is however undermined by the subject’s realization that he is...
| Main Author: | |
|---|---|
| Format: | Article |
| Language: | English |
| Published: |
Centre de Recherche "Texte et Critique de Texte"
2012-01-01
|
| Series: | Sillages Critiques |
| Subjects: | |
| Online Access: | http://journals.openedition.org/sillagescritiques/2809 |
| _version_ | 1818354734558347264 |
|---|---|
| author | Thomas Constantinesco |
| author_facet | Thomas Constantinesco |
| author_sort | Thomas Constantinesco |
| collection | DOAJ |
| description | Emerson’s essays testify to the writing subject’s desire for originality, his will to stop “[groping] among the dry bones of the past” (Nature, 27) in order to project himself ahead, literally to ex-press himself. This prospective impulse is however undermined by the subject’s realization that he is “warped by [his predecessors’] attraction clean out of [his] own orbit, and made a satellite out of a system” (“The American Scholar,” 59). That tension between originality and imitation, creation and quotation, leads the Emersonian subject to boast his inalienable right to plagiarism, counterfeiting and despoilment. Imitation, then, would be the genius’s birthright, the condition of his originality. For Emerson, imitation is neither what the subject cannot reject, nor what he must accept. Rather, mimetic appropriation – what “Quotation and Originality” calls “assimilating power” – becomes the means for self-invention as Emersonian imitation involves imitating nothing but what comes ahead. |
| first_indexed | 2024-12-13T19:30:08Z |
| format | Article |
| id | doaj.art-d3b87bb61e6b4b258c8da03ac80af7f6 |
| institution | Directory Open Access Journal |
| issn | 1272-3819 1969-6302 |
| language | English |
| last_indexed | 2024-12-13T19:30:08Z |
| publishDate | 2012-01-01 |
| publisher | Centre de Recherche "Texte et Critique de Texte" |
| record_format | Article |
| series | Sillages Critiques |
| spelling | doaj.art-d3b87bb61e6b4b258c8da03ac80af7f62022-12-21T23:33:56ZengCentre de Recherche "Texte et Critique de Texte"Sillages Critiques1272-38191969-63022012-01-0114Ralph Waldo Emerson, ou le génie de l’imitationThomas ConstantinescoEmerson’s essays testify to the writing subject’s desire for originality, his will to stop “[groping] among the dry bones of the past” (Nature, 27) in order to project himself ahead, literally to ex-press himself. This prospective impulse is however undermined by the subject’s realization that he is “warped by [his predecessors’] attraction clean out of [his] own orbit, and made a satellite out of a system” (“The American Scholar,” 59). That tension between originality and imitation, creation and quotation, leads the Emersonian subject to boast his inalienable right to plagiarism, counterfeiting and despoilment. Imitation, then, would be the genius’s birthright, the condition of his originality. For Emerson, imitation is neither what the subject cannot reject, nor what he must accept. Rather, mimetic appropriation – what “Quotation and Originality” calls “assimilating power” – becomes the means for self-invention as Emersonian imitation involves imitating nothing but what comes ahead.http://journals.openedition.org/sillagescritiques/2809Ralph Waldo Emersonimitationquotationoriginalityidentityotherness |
| spellingShingle | Thomas Constantinesco Ralph Waldo Emerson, ou le génie de l’imitation Sillages Critiques Ralph Waldo Emerson imitation quotation originality identity otherness |
| title | Ralph Waldo Emerson, ou le génie de l’imitation |
| title_full | Ralph Waldo Emerson, ou le génie de l’imitation |
| title_fullStr | Ralph Waldo Emerson, ou le génie de l’imitation |
| title_full_unstemmed | Ralph Waldo Emerson, ou le génie de l’imitation |
| title_short | Ralph Waldo Emerson, ou le génie de l’imitation |
| title_sort | ralph waldo emerson ou le genie de l imitation |
| topic | Ralph Waldo Emerson imitation quotation originality identity otherness |
| url | http://journals.openedition.org/sillagescritiques/2809 |
| work_keys_str_mv | AT thomasconstantinesco ralphwaldoemersonoulegeniedelimitation |