Visceral Language: A Phenomenological Approach to Contemporary Letterpress-Printed Artist’s Book Practice in the UK

The decline of commercial letterpress printing and technological advances in industry were major influential factors with respect to the establishment of independent small presses in the United Kingdom (UK). Although unlike work from commercial, private or fine press printers, utilisation of the let...

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Bibliographic Details
Main Author: Angie Butler
Format: Article
Language:English
Published: MDPI AG 2019-11-01
Series:Arts
Subjects:
Online Access:https://www.mdpi.com/2076-0752/8/4/151
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author Angie Butler
author_facet Angie Butler
author_sort Angie Butler
collection DOAJ
description The decline of commercial letterpress printing and technological advances in industry were major influential factors with respect to the establishment of independent small presses in the United Kingdom (UK). Although unlike work from commercial, private or fine press printers, utilisation of the letterpress process embedded a phenomenological approach to artist-led publishing where physicality and experience of using the letterpress process was reflected within the practice of making artists’ books and printed matter. Major concepts and inclusion of tools, equipment, technologies and studio methods used in historical small publishing practice can be considered in relation to today’s practitioners making letterpress-printed artists’ books to understand how skills are learnt and developed to support the evolution of a reflexive approach within contemporary practice.
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spelling doaj.art-d3d9690505ff44b19050385de1546a4f2022-12-21T17:33:50ZengMDPI AGArts2076-07522019-11-018415110.3390/arts8040151arts8040151Visceral Language: A Phenomenological Approach to Contemporary Letterpress-Printed Artist’s Book Practice in the UKAngie Butler0Centre for Fine Print Research, University of the West of England, Bristol BS16 1QY, UKThe decline of commercial letterpress printing and technological advances in industry were major influential factors with respect to the establishment of independent small presses in the United Kingdom (UK). Although unlike work from commercial, private or fine press printers, utilisation of the letterpress process embedded a phenomenological approach to artist-led publishing where physicality and experience of using the letterpress process was reflected within the practice of making artists’ books and printed matter. Major concepts and inclusion of tools, equipment, technologies and studio methods used in historical small publishing practice can be considered in relation to today’s practitioners making letterpress-printed artists’ books to understand how skills are learnt and developed to support the evolution of a reflexive approach within contemporary practice.https://www.mdpi.com/2076-0752/8/4/151letterpressprintingartists’ bookshapticphenomenologybodily knowledge
spellingShingle Angie Butler
Visceral Language: A Phenomenological Approach to Contemporary Letterpress-Printed Artist’s Book Practice in the UK
Arts
letterpress
printing
artists’ books
haptic
phenomenology
bodily knowledge
title Visceral Language: A Phenomenological Approach to Contemporary Letterpress-Printed Artist’s Book Practice in the UK
title_full Visceral Language: A Phenomenological Approach to Contemporary Letterpress-Printed Artist’s Book Practice in the UK
title_fullStr Visceral Language: A Phenomenological Approach to Contemporary Letterpress-Printed Artist’s Book Practice in the UK
title_full_unstemmed Visceral Language: A Phenomenological Approach to Contemporary Letterpress-Printed Artist’s Book Practice in the UK
title_short Visceral Language: A Phenomenological Approach to Contemporary Letterpress-Printed Artist’s Book Practice in the UK
title_sort visceral language a phenomenological approach to contemporary letterpress printed artist s book practice in the uk
topic letterpress
printing
artists’ books
haptic
phenomenology
bodily knowledge
url https://www.mdpi.com/2076-0752/8/4/151
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