“It Was a Smoke Dream”: Affective Aesthetics in Women’s Literature of the Irish Civil War

The formal, ideological, and narrative elements constituting the aesthetics of hope and disappointment in women’s writing of the Irish revolution offer new insights into the gendered experience of conflict. By arguing that women’s writing in this period complicates and expands existing classificatio...

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Main Author: Ailbhe McDaid
Format: Article
Language:English
Published: MDPI AG 2022-08-01
Series:Humanities
Subjects:
Online Access:https://www.mdpi.com/2076-0787/11/4/102
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author Ailbhe McDaid
author_facet Ailbhe McDaid
author_sort Ailbhe McDaid
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description The formal, ideological, and narrative elements constituting the aesthetics of hope and disappointment in women’s writing of the Irish revolution offer new insights into the gendered experience of conflict. By arguing that women’s writing in this period complicates and expands existing classifications of conflict literature, this paper proposes to trace a network of alternative connection, built out of subjective gendered experiences of political and social upheaval. Drawing on theories of affect and emotion with reference to Rosamond Jacob’s <i>The Troubled House</i> (1938), Margaret Barrington’s <i>My Cousin Justin</i> (1939) and Dorothy Macardle’s <i>The Uninvited</i> (1942), this article suggests that appraisal of textual interconnection can thicken our understanding of the conceptual tools engaged by women writers to record, relay, and refract the personal and political implications of early-twentieth century Ireland.
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spelling doaj.art-d3f6ea2517ce4beabf95ab5a87a98f0d2023-12-03T13:45:21ZengMDPI AGHumanities2076-07872022-08-0111410210.3390/h11040102“It Was a Smoke Dream”: Affective Aesthetics in Women’s Literature of the Irish Civil WarAilbhe McDaid0School of English and Digital Humanities, University College Cork, T12 K8AF Cork, IrelandThe formal, ideological, and narrative elements constituting the aesthetics of hope and disappointment in women’s writing of the Irish revolution offer new insights into the gendered experience of conflict. By arguing that women’s writing in this period complicates and expands existing classifications of conflict literature, this paper proposes to trace a network of alternative connection, built out of subjective gendered experiences of political and social upheaval. Drawing on theories of affect and emotion with reference to Rosamond Jacob’s <i>The Troubled House</i> (1938), Margaret Barrington’s <i>My Cousin Justin</i> (1939) and Dorothy Macardle’s <i>The Uninvited</i> (1942), this article suggests that appraisal of textual interconnection can thicken our understanding of the conceptual tools engaged by women writers to record, relay, and refract the personal and political implications of early-twentieth century Ireland.https://www.mdpi.com/2076-0787/11/4/102feminist writingconflict literatureaffect theoryIrish fiction
spellingShingle Ailbhe McDaid
“It Was a Smoke Dream”: Affective Aesthetics in Women’s Literature of the Irish Civil War
Humanities
feminist writing
conflict literature
affect theory
Irish fiction
title “It Was a Smoke Dream”: Affective Aesthetics in Women’s Literature of the Irish Civil War
title_full “It Was a Smoke Dream”: Affective Aesthetics in Women’s Literature of the Irish Civil War
title_fullStr “It Was a Smoke Dream”: Affective Aesthetics in Women’s Literature of the Irish Civil War
title_full_unstemmed “It Was a Smoke Dream”: Affective Aesthetics in Women’s Literature of the Irish Civil War
title_short “It Was a Smoke Dream”: Affective Aesthetics in Women’s Literature of the Irish Civil War
title_sort it was a smoke dream affective aesthetics in women s literature of the irish civil war
topic feminist writing
conflict literature
affect theory
Irish fiction
url https://www.mdpi.com/2076-0787/11/4/102
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