Spatialisation littéraire et picturale, une interaction artistique dans la poésie de Maurice Carême // Literary and pictorial spatialisation, artistic interaction in Maurice Carême’s poetry
Maurice Carême (1899–1978) was a Belgian francophone poet who was in contact with a great number of painters through correspondence, either as a friend or for professional reasons. Among these artists were Henri-Victor Wolvens, Marcel Delmotte and Felix De Boeck. Besides the illustrations that th...
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| Format: | Article |
| Language: | ces |
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Univerzita Karlova, Filozofická Fakulta
2015-12-01
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| Series: | Svět Literatury |
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| Online Access: | http://svetliteratury.ff.cuni.cz/wp-content/uploads/sites/14/2017/02/agnes_toth_42-52.pdf |
| Summary: | Maurice Carême (1899–1978) was a Belgian francophone poet who was in contact with a great number
of painters through correspondence, either as a friend or for professional reasons. Among these
artists were Henri-Victor Wolvens, Marcel Delmotte and Felix De Boeck. Besides the illustrations that
they made in order to decorate Carême’s books of poetry, their exchange and their complicity were
also of a great importance, being a sort of artistic interaction between fine arts and poetry. The common
sources of painting and poetry are the following : the power to watch and to stabilise the image
and the capacity to show the image itself and the relations that connect the images. The reader
of Carême’s books is confronted to a composition of texts and images. The book made of poems and
drawings becomes a space which is textual and also visual, a space which is literary and pictorial at
the same time. The layout evokes an experience which is simoultaneously verbal and visual, relating
to a fusion between several ways of expression, where the interference between image and text exceeds
largely the books of poems in question. |
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| ISSN: | 0862-8440 2336-6729 |