Spatialisation littéraire et picturale, une interaction artistique dans la poésie de Maurice Carême // Literary and pictorial spatialisation, artistic interaction in Maurice Carême’s poetry

Maurice Carême (1899–1978) was a Belgian francophone poet who was in contact with a great number of painters through correspondence, either as a friend or for professional reasons. Among these artists were Henri-Victor Wolvens, Marcel Delmotte and Felix De Boeck. Besides the illustrations that th...

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Main Author: Ágnes Tóth
Format: Article
Language:ces
Published: Univerzita Karlova, Filozofická Fakulta 2015-12-01
Series:Svět Literatury
Subjects:
Online Access:http://svetliteratury.ff.cuni.cz/wp-content/uploads/sites/14/2017/02/agnes_toth_42-52.pdf
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author Ágnes Tóth
author_facet Ágnes Tóth
author_sort Ágnes Tóth
collection DOAJ
description Maurice Carême (1899–1978) was a Belgian francophone poet who was in contact with a great number of painters through correspondence, either as a friend or for professional reasons. Among these artists were Henri-Victor Wolvens, Marcel Delmotte and Felix De Boeck. Besides the illustrations that they made in order to decorate Carême’s books of poetry, their exchange and their complicity were also of a great importance, being a sort of artistic interaction between fine arts and poetry. The common sources of painting and poetry are the following : the power to watch and to stabilise the image and the capacity to show the image itself and the relations that connect the images. The reader of Carême’s books is confronted to a composition of texts and images. The book made of poems and drawings becomes a space which is textual and also visual, a space which is literary and pictorial at the same time. The layout evokes an experience which is simoultaneously verbal and visual, relating to a fusion between several ways of expression, where the interference between image and text exceeds largely the books of poems in question.
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spelling doaj.art-d4311f09842a47788cae963b5a6bb6292022-12-22T01:31:25ZcesUniverzita Karlova, Filozofická FakultaSvět Literatury0862-84402336-67292015-12-0125Special Issue - "Le monde de la littérature"4252Spatialisation littéraire et picturale, une interaction artistique dans la poésie de Maurice Carême // Literary and pictorial spatialisation, artistic interaction in Maurice Carême’s poetryÁgnes Tóth0Institut d’Études Romanes, Département de Français Université Catholique Péter PázmányMaurice Carême (1899–1978) was a Belgian francophone poet who was in contact with a great number of painters through correspondence, either as a friend or for professional reasons. Among these artists were Henri-Victor Wolvens, Marcel Delmotte and Felix De Boeck. Besides the illustrations that they made in order to decorate Carême’s books of poetry, their exchange and their complicity were also of a great importance, being a sort of artistic interaction between fine arts and poetry. The common sources of painting and poetry are the following : the power to watch and to stabilise the image and the capacity to show the image itself and the relations that connect the images. The reader of Carême’s books is confronted to a composition of texts and images. The book made of poems and drawings becomes a space which is textual and also visual, a space which is literary and pictorial at the same time. The layout evokes an experience which is simoultaneously verbal and visual, relating to a fusion between several ways of expression, where the interference between image and text exceeds largely the books of poems in question.http://svetliteratury.ff.cuni.cz/wp-content/uploads/sites/14/2017/02/agnes_toth_42-52.pdfillustrationpictorial modelpictorial paradigmverbal and visual interferencemodèle picturalparadigme picturalinterférence verbale/visuelle
spellingShingle Ágnes Tóth
Spatialisation littéraire et picturale, une interaction artistique dans la poésie de Maurice Carême // Literary and pictorial spatialisation, artistic interaction in Maurice Carême’s poetry
Svět Literatury
illustration
pictorial model
pictorial paradigm
verbal and visual interference
modèle pictural
paradigme pictural
interférence verbale/visuelle
title Spatialisation littéraire et picturale, une interaction artistique dans la poésie de Maurice Carême // Literary and pictorial spatialisation, artistic interaction in Maurice Carême’s poetry
title_full Spatialisation littéraire et picturale, une interaction artistique dans la poésie de Maurice Carême // Literary and pictorial spatialisation, artistic interaction in Maurice Carême’s poetry
title_fullStr Spatialisation littéraire et picturale, une interaction artistique dans la poésie de Maurice Carême // Literary and pictorial spatialisation, artistic interaction in Maurice Carême’s poetry
title_full_unstemmed Spatialisation littéraire et picturale, une interaction artistique dans la poésie de Maurice Carême // Literary and pictorial spatialisation, artistic interaction in Maurice Carême’s poetry
title_short Spatialisation littéraire et picturale, une interaction artistique dans la poésie de Maurice Carême // Literary and pictorial spatialisation, artistic interaction in Maurice Carême’s poetry
title_sort spatialisation litteraire et picturale une interaction artistique dans la poesie de maurice careme literary and pictorial spatialisation artistic interaction in maurice careme s poetry
topic illustration
pictorial model
pictorial paradigm
verbal and visual interference
modèle pictural
paradigme pictural
interférence verbale/visuelle
url http://svetliteratury.ff.cuni.cz/wp-content/uploads/sites/14/2017/02/agnes_toth_42-52.pdf
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